In this way the pretty game ran on, the little goldenhaired, golden- faced, golden-voiced child dancing so gayly in their hearts, but nestling in them too, after her wilful fashion, until the serious thing came—the tragedy.
On the mad night when all ended, she was in the gayest, the most elf-like spirits. All went well until Marcey dug a hole in the ground, put a stone in it, and, burying it, said it was Laforce's heart. Then Laforce pretended to ventriloquise, and mocked Marcey's slight stutter. That was the beginning of the trouble, and Lucille, like any lady of the world, troubled at Laforce's unkindness, tried to smooth things over—tried very gravely. But the playful rivalry of many months changed its composition suddenly as through some delicate yet powerful chemical action, and the savage in both men broke out suddenly. Where motives and emotions are few they are the more vital, their action is the more violent. No one knew quite what the two young men said to each other, but presently, while the Indian dance was on, they drew to the side of the house, and had their duel out in the half-shadows, no one knowing, till the shots rang on the night, and John Marcey, without a cry, sprang into the air and fell face upwards, shot through the heart.
They tried to take the child away, but she would not go; and when they carried Marcey on the shutter she followed close by, resisting her father's wishes and commands. And just before they made a prisoner of Laforce, she said to him very quietly—so like a woman she was—"I will give you back the basket, and the riding-whip, and the other things, and I will never forgive you—never—no, never!"
Stroke Laforce had given himself up, had himself ridden to Winnipeg, a thousand miles, and told his story. Then the sergeant's stripes had been stripped from his arm, he had been tried, and on his own statement had got twelve years' imprisonment. Ten years had passed since then— since Marcey was put away in his grave, since Pierre left Fort Ste. Anne, and he had not seen it or Lucille in all that time. But he knew that Gyng was dead, and that his widow and her child had gone south or east somewhere; of Laforce after his sentence he had never heard.
He stood looking at the house from the shade of the solitary pine-tree near it, recalling every incident of that fatal night. He had the gift of looking at a thing in its true proportions, perhaps because he had little emotion and a strong brain, or perhaps because early in life his emotions were rationalised. Presently he heard the voice again:
"He waits at the threshold stone—
(Why should the key-hole rust?)
The eagle broods at his side,
(Why should the blind be drawn?)
Long has he watched, and far has he called
The lonely sentinel of the North:
"Who goes there?" to the wandering soul:
Heavy of heart is the Red Patrol
(Why should the key-hole rust?)
The Scarlet Hunter is sick for home,
(Why should the blind be drawn?)"
Now he recognised the voice. Its golden timbre brought back a young girl's golden face and golden hair. It was summer, and the window with the broken shutter was open. He was about to go to it, when a door of the house opened, and a girl appeared. She was tall, with rich, yellow hair falling loosely about her head; she had a strong, finely cut chin and a broad brow, under which a pair of deep blue eyes shone-violet blue, rare and fine. She stood looking down at the Fort for a few moments, unaware of Pierre's presence. But presently she saw him leaning against the tree, and she started as from a spirit.
"Monsieur!" she said—"Pierre!" and stepped forward again from the doorway.
He came to her, and "Ah, p'tite Lucille," he said, "you remember me, eh? —and yet so many years ago!"
"But you remember me," she answered, "and I have changed so much!"