“I don’t cost you anything,” returned Carnac. “I’ve paid my own way a long time—with mother’s help.”
“And you’re twenty-six years old, and what have you got? Enough to give you bread from day to day-no more. I was worth seventy thousand dollars when I was your age. I’m worth enough to make a prince rich, and if I’d been treated right by those I brought into the world I’d be worth twice as much. Fabian was good as far as he went, but he was a coward. You”—a look of fury entered the dark eyes—“you were no coward, but you didn’t care a damn. You wanted to paddle about with muck of imagination—” he pointed to the statue on the table.
“Why, your business has been great because of your imagination,” was the retort. “You saw things ahead with the artist’s eye. You planned with the artist’s mind; and brought forth what’s to your honour and credit—and the piling up of your bank balance. The only thing that could have induced me to work in your business is the looking ahead and planning, seeing the one thing to be played off against the other, the fighting of strong men, the politics, all the forces which go to make or break your business. Well, I didn’t do it, and I’m not sorry. I have a gift which, by training and development, will give me a place among the men who do things, if I have good luck—good luck!”
He dwelt upon these last words with an intensity which dreaded something. There was retrospection in his eyes. A cloud seemed to cross his face.
A strong step crunching the path stopped the conversation, and presently there appeared the figure of Tarboe. Certainly the new life had not changed Tarboe, had not altered his sturdy, strenuous nature. His brown eyes under the rough thatch of his eyebrow took in the room with lightning glance, and he nodded respectfully, yet with great friendliness, at John Grier. He seemed to have news, and he glanced with doubt at Carnac.
John Grier understood. “Go ahead. What’s happened?”
“Nothing that can’t wait till I’m introduced to your son,” rejoined Tarboe.
With a friendly look, free from all furtiveness, Carnac reached out a hand, small, graceful, firm. As Tarboe grasped it in his own big paw, he was conscious of a strength in the grip which told him that the physical capacity of the “painter-fellow,” as he afterwards called Carnac, had points worthy of respect. On the instant, there was admiration on the part of each—admiration and dislike. Carnac liked the new-comer for his healthy bearing, for the iron hardness of his head, and for the intelligence of his dark eyes. He disliked him, however, for something that made him critical of his father, something covert and devilishly alert. Both John Grier and Tarboe were like two old backwoodsmen, eager to reach their goal, and somewhat indifferent to the paths by which they travelled to it.
Tarboe, on the other hand, admired the frank, pleasant face of the young man, which carried still the irresponsibility of youth, but which conveyed to the watchful eye a brave independence, a fervid, and perhaps futile, challenge to all the world. Tarboe understood that this young man had a frankness dangerous to the business of life, yet which, properly applied, might bring great results. He disliked Carnac for his uncalculating candour; but he realized that, behind all, was something disturbing to his life.
“It’s a woman,” Tarboe said to himself, “it’s a woman. He’s made a fool of himself.”