He paused and touched his breast and his forehead in respect.
Dimsdale was well-nigh taken off his feet. It seemed too wonderful to be true—a free hand in Egypt, and under Imshi Pasha, the one able Minister of them all, who had, it was said, always before resisted the irrigation schemes of the foreigners, who believed only in the corroee and fate!
Dimsdale rejoiced that at the beginning of his career he had so inspired the powerful one with confidence. With something very like emotion he thanked the Minister.
“Yes, my dear friend,” answered the Pasha, “the love of Egypt has helped us to understand each other. And we shall know each other better still by-and-by-by-and-by.... You shall be gazetted to-morrow. Allah preserve you from all error!”
III
This began the second period of Dimsdale’s career. As he went forth from Cairo up the Nile with great designs in his mind, and an approving Ministry behind him, he had the feeling of a hunter with a sure quarry before him. Now he remembered Lucy Gray; and he flushed with a delightful and victorious indignation remembering his last hour with her. He even sentimentally recalled a song he once wrote for her sympathetic voice. The song was called “No Man’s Land.” He recited two of the verses to himself now, with a kind of unction:
“And we have wandered far, my dear, and we have loved apace;
A little hut we built upon the sand;
The sun without to brighten it-within your golden face:
O happy dream, O happy No Man’s Land!
“The pleasant furniture of spring was set in all the fields,
And sweet and wholesome all the herbs and flowers;
Our simple cloth, my dear, was spread with all the orchard yields,
And frugal only were the passing hours.”
A wave of feeling passed over him suddenly. Those verses were youth, and youth was gone, with all its flushed and spirited dalliance and reckless expenditure of feeling. Youth was behind him, and love was none of his, nor any cares of home, nor wife nor children; nothing but ambition now, and the vanity of successful labour.
Sitting on the deck of the Sefi at El Wasta, he looked round him. In the far distance was the Maydoum Pyramid, “the Imperfect One,” unexplored by man these thousands of years, and all round it the soft yellowish desert, with a mirage quivering over it in the distance, a mirage of trees and water and green hills. A caravan lounged its way slowly into the waste. At the waterside, here and there devout Mahommedans were saying their prayers, now standing, now bowing towards the east, now kneeling and touching the ground with the forehead. Then, piercing and painfully musical, came the call of the Muezzin from the turret of the mosque a quarter of a mile away. Near by the fellah worked in his onion-field; and on the khiassas loaded with feddan at the shore, just out of the current, and tied up for the night, sat the riverine folk eating their dourha and drinking black coffee. Now Dimsdale noticed that, nearer still, just below the Sefi, on the shore, sat a singing-girl, an a’l’meh, with a darkfaced Arab beside her, a kemengeh in his lap. Looking down, Dimsdale caught their eyes, nodded to them, and the singing-girl and the kemengeh-player got to their feet and salaamed. The girl’s face was in the light of evening. Her dark skin took on a curious reddish radiance, her eyes were lustrous and her figure beautiful. The kemengeh-player stood with his instrument ready, and he lifted it in a kind of appeal. Dimsdale beckoned them up on deck. Lighting a cigarette, he asked the a’l’meh to sing. Her voice had the curious vibrant note of the Arab, and the words were in singular sympathy with Dimsdale’s thoughts:
“I have a journey to make, and perils are in hiding,
Many moons must I travel, many foes meet;
A morsel of bread my food, a goolah of water for drinking,
Desert sand for my bed, the moonlight my sheet....
Come, my love, to the scented palms:
Behold, the hour of remembrance!”