That was how Kingsley got started in the world again, how he went mining in the desert afar, where pashas and mamours could not worry him. The secret of his success was purely Oriental. He became a slave-owner. He built up a city of the desert round him. He was its ruler. Slavery gave him steady untaxed labour. A rifle-magazine gave him security against marauding tribes, his caravans were never over powered; his blacks were his own. He had a way with them; they thought him the greatest man in the world. Now, at last, he was rich enough. His mines were worked out, too, and the market was not so good; he had supplied it too well. Dicky's thousand had brought him five thousand, and Ismail's three thousand had become fifteen thousand, and another twenty thousand besides. For once the Khedive had found a kind of taxation, of which he got the whole proceeds, not divided among many as heretofore. He got it all. He made Kingsley a Bey, and gave him immunity from all other imposts or taxation. Nothing but an Egyptian army could have removed him from his desert-city.
Now, he was coming back—to-night at ten o'clock he would appear at the Khedivial Club, the first time in seven years. But this was not all. He was coming back to be married as soon as might be.
This was the thing which convulsed Dicky.
Upon the Nile at Assiout lived a young English lady whose life was devoted to agitation against slavery in Egypt. Perhaps the Civil War in America, not so many years before, had fired her spirit; perhaps it was pious enthusiasm; perhaps it was some altruistic sentiment in her which must find expression; perhaps, as people said, she had had a love affair in England which had turned out badly. At any rate she had come over to Egypt with an elderly companion, and, after a short stay at the Consulate, had begun the career of the evangel. She had now and then created international difficulty, and Ismail, tolerant enough, had been tempted to compel her to leave the country, but, with a zeal which took on an aspect of self-opinionated audacity, she had kept on. Perhaps her beauty helped her on her course—perhaps the fact that her superb egotism kept her from being timorous, made her career possible. In any case, there she was at Assiout, and there she had been for years, and no accident had come to her; and, during the three months she was at Cairo every year, pleading against slavery and the corvee, she increased steadily the respect in which she was held; but she was considered mad as Gordon. So delighted had Ismail been by a quiet, personal attack she made upon him, that without malice, and with an obtuse and impulsive kindness, he sent her the next morning a young Circassian slave, as a mark of his esteem, begging her through the swelling rhetoric of his messenger to keep the girl, and more than hinting at her value. It stupefied her, and the laughter of Cairo added to her momentary embarrassment; but she kept the girl, and prepared to send her back to her people.
The girl said she had no people, and would not go; she would stay with "My Lady"—she would stay for ever with "My Lady." It was confusing, but the girl stayed, worshipping the ground "My Lady" walked on. In vain My Lady educated her. Out of hearing, she proudly told whoever would listen that she was "My Lady's slave." It was an Egyptian paradox; it was in line with everything else in the country, part of the moral opera boufe.
In due course, the lady came to hear of the English slave-owner, who ruled the desert-city and was making a great fortune out of the labours of his slaves. The desert Arabs who came down the long caravan road, white with bleached bones, to Assiout, told her he had a thousand slaves. Against this Englishman her anger, was great. She unceasingly condemned him, and whenever she met Dicky Donovan she delivered her attack with delicate violence. Did Dicky know him? Why did not he, in favour with Ismail, and with great influence, stop this dreadful and humiliating business? It was a disgrace to the English name. How could we preach freedom and a higher civilisation to the Egyptians while an Englishman enriched himself and ruled a province by slavery? Dicky's invariable reply was that we couldn't, and that things weren't moving very much towards a higher civilisation in Egypt. But he asked her if she ever heard of a slave running away from Kingsley Bey, or had she ever heard of a case of cruelty on his part? Her reply was that he had given slaves the kourbash, and had even shot them. Dicky thereupon suggested that Kingsley Bey was a government, and that the kourbash was not yet abolished in the English navy, for instance; also that men had to be shot sometimes.
At last she had made a direct appeal to Kingsley Bey. She sent an embassy to him—Dicky prevented her from going herself; he said he would have her deported straightway, if she attempted it. She was not in such deadly earnest that she did not know he would keep his word, and that the Consulate could not help her would have no time to do so. So, she confined herself to an elaborate letter, written in admirable English and inspired by most noble sentiments. The beauty that was in her face was in her letter in even a greater degree. It was very adroit, too, very ably argued, and the moral appeal was delicate and touching, put with an eloquence at once direct and arresting. The invocation with which the letter ended was, as Kingsley Bey afterwards put it, "a pitch of poetry and humanity never reached except by a Wagner opera."
Kingsley Bey's response to the appeal was a letter to the lady, brought by a sarraf, a mamour and six slaves, beautifully mounted and armed, saying that he had been deeply moved by her appeal, and as a proof of the effect of her letter, she might free the six slaves of his embassy. This she straightway did joyfully, and when they said they wished to go to Cairo, she saw them and their horses off on the boat with gladness, and she shook them each by the hand and prayed Heaven in their language to give them long plumes of life and happiness. Arrived at Cairo these freemen of Assiout did as they had been ordered by Kingsley—found Donovan Pasha, delivered a certain letter to him, and then proceeded, also as they had been ordered, to a certain place in the city, even to Ismail's stables, to await their master's coming.
This letter was now in Dicky's hand, and his mirth was caused by the statement that Kingsley Bey had declared that he was coming to marry My Lady—she really was "My Lady," the Lady May Harley; that he was coming by a different route from "his niggers," and would be there the same day. Dicky would find him at ten o'clock at the Khedivial Club.
My Lady hated slavery—and unconsciously she kept a slave; she regarded Kingsley Bey as an enemy to civilisation and to Egypt, she detested him as strongly as an idealistic nature could and should—and he had set out to marry her, the woman who had bitterly arraigned him at the bar of her judgment. All this play was in Dicky's hands for himself to enjoy, in a perfect dress rehearsal ere ever one of the Cairene public or the English world could pay for admission and take their seats. Dicky had in more senses than one got his money's worth out of Kingsley Bey. He wished he might let the Khedive into the secret at once, for he had an opinion of Ismail's sense of humour; had he not said that very day in the presence of the French Consul, "Shut the window, quick! If the consul sneezes, France will demand compensation!" But Dicky was satisfied that things should be as they were. He looked at the clock—it was five minutes to ten. He rose from the table, and went to the smoking-room. In vain it was sought to draw him into the friendly circles of gossiping idlers and officials. He took a chair at the very end of the room and opposite the door, and waited, watching.