“I come to-day from the Hudson’s Bay post at Danger Mountain. I’m Phil Boldrick’s pal.”
“Ah,” she said again, with a look in her eyes not pleasant to see, “and what brings you up here in the hills?” Hers was more than an ordinary curiosity.
“I come to see the Padre who was with Phil—when he left. And the Padre’s a fair square sort, as I reckon him, but melancholy, almighty melancholy.”
“Yes, melancholy, I suppose,” she said, “and fair square, as you say. And what did you say and do?”
“Why, we yarned about Phil, and where I’d get the legacy to-morrow; and I s’pose I had a strong breeze on the quarter, for I talked as free as if we’d grubbed out of the same dough-pan since we was kiddies.”
“Yes?”
“Yes siree; I don’t know how it was, but I got to reelin’ off about Jo—queer, wasn’t it? And I told ‘em how he went down in the ‘Fly Away’, and how the lovely ladies—you remember how we used to call the whitecaps lovely ladies—fondled him out to sea and on to heaven.”
“And what did—the Padre—think of that?”
“Well, he’s got a heart, I should say, and that’s why Phil cottoned to him, maybe,—for he looked as if he’d seen ghosts. I guess he’d never had a craft runnin’ ‘tween a sand-bar and a ragged coral bank; nor seen a girl like the ‘Fly Away’ take a buster in her teeth; nor a man-of-war come bundlin’ down upon a nasty glacis, the captain on the bridge, engines goin’ for all they’re worth, every man below battened in, and every Jack above watchin’ the fight between the engines and the hurricane.... Here she rolls six fathoms from the glacis that’ll rip her copper garments off, and the quiverin’ engines pull her back; and she swings and struggles and trembles between hell in the hurricane and God A’mighty in the engines; till at last she gets her nose at the neck of the open sea and crawls out safe and sound.... I guess he’d have more marble in his cheeks, if he saw likes o’ that, Miss Falchion?”
Kilby paused and wiped his forehead.