Dyck Calhoun had a soul of character, originality, and wayward distinction. He had all the impulses and enthusiasms of a poet, all the thirst for excitement of the adventurer, all the latent patriotism of the true Celt; but his life was undisciplined, and he had not ordered his spirit into compartments of faith and hope. He had gifts. They were gifts only to be borne by those who had ambitions.
Now, as he looked out upon the scene where nature was showing herself at her best, some glimmer of a great future came to him. He did not know which way his feet were destined to travel in the business of life. It was too late to join the navy; but there was still time enough to be a soldier, or to learn to be a lawyer.
As he gazed upon the scene, his wonderful deep blue eyes, his dark brown hair thick upon his head, waving and luxuriant like a fine mattress, his tall, slender, alert figure, his bony, capable hands, which neither sun nor wind ever browned, his nervous yet interesting mouth, and his long Roman nose, set in a complexion rich in its pink-and-cream hardness and health—all this made him a figure good to see.
Suddenly, as he listened to the lark singing overhead, with his face lifted to the sky, he heard a human voice singing; and presently there ran up a little declivity to his left a girl—an Irish girl of about seventeen years of age.
Her hat was hanging on her arm by a green ribbon. Her head was covered with the most wonderful brown, waving hair. She had a broad, low forehead, Greek in its proportions and lines. The eyes were bluer even than his own, and were shaded by lashes of great length, which slightly modified the firm lines of the face, with its admirable chin, and mouth somewhat large with a cupid's bow.
In spite of its ardent and luscious look, it was the mouth of one who knew her own mind and could sustain her own course. It was open when Dyck first saw it, because she was singing little bits of wild lyrics of the hills, little tragedies of Celtic life—just bursts of the Celtic soul, as it were, cheerful yet sad, buoyant and passionate, eager yet melancholy. She was singing in Irish too. They were the words of songs taught her by her mother's maid.
She had been tramping over the hills for a couple of hours, virile, beautiful, and alone. She wore a gown of dark gold, with little green ribbons here and there. The gown was short, and her ankles showed. In spite of the strong boots she wore they were alert, delicate, and shapely, and all her beauty had the slender fullness of a quail.
When she saw Dyck, she stopped suddenly, her mouth slightly open. She gave him a sidelong glance of wonder, interest, and speculation. Then she threw her head slightly back, and all the curls gathered in a bunch and shook like bronze flowers. It was a head of grace and power, of charm and allurement—of danger.
Dyck was lost in admiration. He looked at her as one might look at a beautiful thing in a dream. He did not speak; he only smiled as he gazed into her eyes. She was the first to speak.
"Well, who are you?" she asked with a slightly southern accent in her voice, delicate and entrancing. Her head gave a little modest toss, her fine white teeth caught her lower lip with a little quirk of humour; for she could see that he was a gentleman, and that she was safe from anything that might trouble her.