The half-hour she had just spent in the hospital with Meydon had tried her cruelly. She had left the building in a vortex of conflicting emotions, with the call of duty and of honour ringing through a thousand other voices of temptation and desire, the inner pleadings for a little happiness while yet she was young. After she married Meydon, there had only been a few short weeks of joy before her black disillusion came, and she had realised how bitter must be her martyrdom.
When she left the hospital, she seemed moving in a dream, as one, intoxicated by some elixir, might move unheeding among event and accident and vexing life and roaring multitudes. And all the while the river flowing through the endless prairies, high-banked, ennobled by living woods, lipped with green, kept surging in her ears, inviting her, alluring her—alluring her with a force too deep and powerful for weak human nature to bear for long. It would ease her pain, it said; it would still the tumult and the storm; it would solve her problem, it would give her peace. But as she moved along the river-bank among the trees, she met the little niece of the priest, who lived in his house, singing as though she was born but to sing, a song which Finden had written and Father Bourassa had set to music. Did not the distant West know Father Bourassa’s gift, and did not Protestants attend Mass to hear him play the organ afterwards? The fresh, clear voice of the child rang through the trees, stealing the stricken heart away from the lure of the river:
“Will you come back home, where the young larks are singin’?
The door is open wide, and the bells of Lynn are ringin’;
There’s a little lake I know,
And a boat you used to row
To the shore beyond that’s quiet—will you come back home?
Will you come back, darlin’? Never heed the pain and blightin’,
Never trouble that you’re wounded, that you bear the scars of
fightin’;
Here’s the luck o’ Heaven to you,
Here’s the hand of love will brew you
The cup of peace—ah, darlin’, will you come back home?”
She stood listening for a few moments, and, under the spell of the fresh, young voice, the homely, heart-searching words, and the intimate sweetness of the woods, the despairing apathy lifted slowly away. She started forwards again with a new understanding, her footsteps quickened. She would go to Father Bourassa. He would understand. She would tell him all. He would help her to do what now she knew she must do, ask Leonard Varley to save her husband’s life—Leonard Varley to save her husband’s life!
When she stepped upon the veranda of the priest’s house, she did not know that Varley was inside. She had no time to think. She was ushered into the room where he was, with the confusing fact of his presence fresh upon her. She had had but a word or two with the priest, but enough for him to know what she meant to do, and that it must be done at once.
Varley advanced to meet her. She shuddered inwardly to think what a difference there was between the fallen creature she had left behind in the hospital and this tall, dark, self-contained man, whose name was familiar in the surgeries of Europe, who had climbed from being the son of a clockmaker to his present distinguished place.
“Have you come for absolution, also?” he asked with a smile; “or is it to get a bill of excommunication against your only enemy—there couldn’t be more than one?”
Cheerful as his words were, he was shrewdly observing her, for her paleness, and the strange light in her eyes, gave him a sense of anxiety. He wondered what trouble was on her.
“Excommunication?” he repeated.
The unintended truth went home. She winced, even as she responded with that quaint note in her voice which gave humour to her speech. “Yes, excommunication,” she replied; “but why an enemy? Do we not need to excommunicate our friends sometimes?”