Northern Lights, Complete

by Gilbert Parker

Jopp was older than O’Ryan by three years, which in men is little, but in boys, at a certain time of life, is much. It means, generally, weight and height, an advantage in a scrimmage. Constantine Jopp had been the plague and tyrant of O’Ryan’s boyhood. He was now a big, leering fellow with much money of his own, got chiefly from the coal discovered on his place by Vigon, the half-breed French Canadian. He had a sense of dark and malicious humour, a long horse-like face, with little beady eyes and a huge frame.

Again and again had Terry fought him as a boy at school, and often he had been badly whipped, but he had never refused the challenge of an insult when he was twelve and Jopp fifteen. The climax to their enmity at school had come one day when Terry was seized with a cramp while bathing, and after having gone down twice was rescued by Jopp, who dragged him out by the hair of the head. He had been restored to consciousness on the bank and carried to his home, where he lay ill for days. During the course of the slight fever which followed the accident his hair was cut close to his head. Impetuous always, his first thought was to go and thank Constantine Jopp for having saved his life. As soon as he was able he went forth to find his rescuer, and met him suddenly on turning a corner of the street. Before he could stammer out the gratitude that was in his heart, Jopp, eyeing him with a sneering smile, said drawlingly:

“If you’d had your hair cut like that I couldn’t have got you out, could I? Holy, what a sight! Next time I’ll take you by the scruff, putty-face—bah!”

That was enough for Terry. He had swallowed the insult, stuttered his thanks to the jeering laugh of the lank bully, and had gone home and cried in shame and rage.

It was the one real shadow in his life. Ill luck and good luck had been taken with an equable mind; but the fact that he must, while he lived, own the supreme debt of his life to a boy and afterwards to a man whom he hated by instinct was a constant cloud on him. Jopp owned him. For some years they did not meet, and then at last they again were thrown together in the West, when Jopp settled at La Touche. It was gall and wormwood to Terry, but he steeled himself to be friendly, although the man was as great a bully as the boy, as offensive in mind and character; but withal acute and able in his way, and with a reputation for commercial sharpness which would be called by another name in a different civilisation. They met constantly, and O’Ryan always put a hand on himself, and forced himself to be friendly. Once when Jopp became desperately ill there had been—though he fought it down, and condemned himself in every term of reproach—a sense of relief in the thought that perhaps his ancient debt would now be cancelled. It had gone on so long. And Constantine Jopp had never lost an opportunity of vexing him, of torturing him, of giving veiled thrusts, which he knew O’Ryan could not resent. It was the constant pin-prick of a mean soul, who had an advantage of which he could never be dispossessed—unless the ledger was balanced in some inscrutable way.

Apparently bent on amusement only, and hiding his hatred from his colleagues, Jopp had been the instigator and begetter of the huge joke of the play; but it was the brains of Dick Fergus which had carried it out, written the dialogue, and planned the electric appliances of the back curtain—for he was an engineer and electrician. Neither he nor Holden had known the old antipathy of Terry and Constantine Jopp. There was only one man who knew the whole truth, and that was Gow Johnson, to whom Terry had once told all. At the last moment Fergus had interpolated certain points in the dialogue which were not even included at rehearsal. These referred to Apollo. He had a shrewd notion that Jopp had an idea of marrying Molly Mackinder if he could, cousins though they were; and he was also aware that Jopp, knowing Molly’s liking for Terry, had tried to poison her mind against him, through suggestive gossip about a little widow at Jansen, thirty miles away. He had in so far succeeded that, on the very day of the performance, Molly had declined to be driven home from the race-course by Terry, despite the fact that Terry had won the chief race and owned the only dog-cart in the West.

As the day went on Fergus realised, as had Gow Johnson, that Jopp had raised a demon. The air was electric. The play was drawing near to its climax—an attempt to capture the deputy sheriff, tie him to a tree, and leave him bound and gagged alone in the waste. There was a glitter in Terry’s eyes, belying the lips which smiled in keeping with the character he presented. A look of hardness was stamped on his face, and the outlines of the temples were as sharp as the chin was set and the voice slow and penetrating.

Molly Mackinder’s eyes were riveted on him. She sat very still, her hands clasped in her lap, watching his every move. Instinct told her that Terry was holding himself in; that some latent fierceness and iron force in him had emerged into life; and that he meant to have revenge on Constantine Jopp one way or another, and that soon; for she had heard the rumour flying through the hall that her cousin was the cause of the practical joke just played. From hints she had had from Constantine that very day she knew that the rumour was the truth; and she recalled now with shrinking dislike the grimace accompanying the suggestion. She had not resented it then, being herself angry with Terry because of the little widow at Jansen.

Presently the silence in the hall became acute; the senses of the audience were strained to the utmost. The acting before them was more realistic than anything they had ever seen, or were ever likely to see again in La Touche. All three conspirators, Fergus, Holden, and Jopp, realised that O’Ryan’s acting had behind it an animal anger which transformed him. When he looked into their eyes it was with a steely directness harder and fiercer than was observed by the audience. Once there was occasion for O’Ryan to catch Fergus by the arm, and Fergus winced from the grip. When standing in the wings with Terry he ventured to apologise playfully for the joke, but Terry made no answer; and once again he had whispered good-naturedly as they stood together on the stage; but the reply had been a low, scornful laugh. Fergus realised that a critical moment was at hand. The play provided for some dialogue between Jopp and Terry, and he observed with anxiety that Terry now interpolated certain phrases meant to warn Constantine, and to excite him to anger also.

The moment came upon them sooner than the text of the play warranted. O’Ryan deliberately left out several sentences, and gave a later cue, and the struggle for his capture was precipitated. Terry meant to make the struggle real. So thrilling had been the scene that to an extent the audience was prepared for what followed; but they did not grasp the full reality—that the play was now only a vehicle for a personal issue of a desperate character. No one had ever seen O’Ryan angry; and now that the demon of rage was on him, directed by a will suddenly grown to its full height, they saw not only a powerful character in a powerful melodrama, but a man of wild force. When the three desperadoes closed in on O’Ryan, and, with a blow from the shoulder which was not a pretence, he sent Holden into a far corner gasping for breath and moaning with pain, the audience broke out into wild cheering. It was superb acting, they thought. As most of them had never seen the play, they were not surprised when Holden did not again join the attack on the deputy sheriff. Those who did know the drama—among them Molly Mackinder—became dismayed, then anxious. Fergus and Jopp knew well from the blow O’Ryan had given that, unless they could drag him down, the end must be disaster to some one. They were struggling with him for personal safety now. The play was forgotten, though mechanically O’Ryan and Fergus repeated the exclamations and the few phrases belonging to the part. Jopp was silent, fighting with a malice which belongs to only half-breed, or half-bred, natures; and from far back in his own nature the distant Indian strain in him was working in savage hatred. The two were desperately hanging on to O’Ryan like pumas on a grizzly, when suddenly, with a twist he had learned from Ogami the Jap on the Smoky River, the slim Fergus was slung backward to the ground with the tendons of his arm strained and the arm itself useless for further work. There remained now Constantine Jopp, heavier and more powerful than O’Ryan.