“Exactly.”

There was an unpleasant click to the word. The old man’s hands got colder. He had nothing more to say.

Before leaving, the Sergeant said something quietly and quickly to Young Aleck. Pierre observed, but could not hear. Young Aleck was uneasy; Pierre was perplexed. The Sergeant turned at the door, and said in French: “What are your chances for a Merry Christmas at Pardon’s Drive, Pretty Pierre?” Pierre answered nothing. He shrugged his shoulders, and as the door closed, muttered, “Il est le diable.” And he meant it. What should Sergeant Fones know of that intended meeting at Pardon’s Drive on Christmas Day? And if he knew, what then? It was not against the law to play euchre. Still it perplexed Pierre. Before the Windsors, father and son, however, he was, as we have seen, playfully cool.

After quitting Old Brown Windsor’s store, Sergeant Fones urged his stout broncho to a quicker pace than usual. The broncho was, like himself, wasteful of neither action nor affection. The Sergeant had caught him wild and independent, had brought him in, broken him, and taught him obedience. They understood each other; perhaps they loved each other. But about that even Private Gellatly had views in common with the general sentiment as to the character of Sergeant Fones. The private remarked once on this point “Sarpints alive! the heels of the one and the law of the other is the love of them. They’ll weather together like the Divil and Death.”

The Sergeant was brooding; that was not like him. He was hesitating; that was less like him. He turned his broncho round as if to cross the Big Divide and to go back to Windsor’s store; but he changed his mind again, and rode on toward David Humphrey’s ranch. He sat as if he had been born in the saddle. His was a face for the artist, strong and clear, and having a dominant expression of force. The eyes were deepset and watchful. A kind of disdain might be traced in the curve of the short upper lip, to which the moustache was clipped close—a good fit, like his coat. The disdain was more marked this morning.

The first part of his ride had been seen by Young Aleck, the second part by Mab Humphrey. Her first thought on seeing him was one of apprehension for Young Aleck and those of Young Aleck’s name. She knew that people spoke of her lover as a ne’er-do-weel; and that they associated his name freely with that of Pretty Pierre and his gang. She had a dread of Pierre, and, only the night before, she had determined to make one last great effort to save Aleck, and if he would not be saved—strange that, thinking it all over again, as she watched the figure on horseback coming nearer, her mind should swerve to what she had heard of Sergeant Fones’s expected promotion. Then she fell to wondering if anyone had ever given him a real Christmas present; if he had any friends at all; if life meant anything more to him than carrying the law of the land across his saddle. Again he suddenly came to her in a new thought, free from apprehension, and as the champion of her cause to defeat the half-breed and his gang, and save Aleck from present danger or future perils.

She was such a woman as prairies nurture; in spirit broad and thoughtful and full of energy; not so deep as the mountain woman, not so imaginative, but with more persistency, more daring. Youth to her was a warmth, a glory. She hated excess and lawlessness, but she could understand it. She felt sometimes as if she must go far away into the unpeopled spaces, and shriek out her soul to the stars from the fulness of too much life. She supposed men had feelings of that kind too, but that they fell to playing cards and drinking instead of crying to the stars. Still, she preferred her way.

Once, Sergeant Fones, on leaving the house, said grimly after his fashion: “Not Mab but Ariadne—excuse a soldier’s bluntness..... Good-bye!” and with a brusque salute he had ridden away. What he meant she did not know and could not ask. The thought instantly came to her mind: Not Sergeant Fones; but who? She wondered if Ariadne was born on the prairie. What knew she of the girl who helped Theseus, her lover, to slay the Minotaur? What guessed she of the Slopes of Naxos? How old was Ariadne? Twenty? For that was Mab’s age. Was Ariadne beautiful? She ran her fingers loosely through her short brown hair, waving softly about her Greek-shaped head, and reasoned that Ariadne must have been presentable, or Sergeant Fones would not have made the comparison. She hoped Ariadne could ride well, for she could.

But how white the world looked this morning, and how proud and brilliant the sky! Nothing in the plane of vision but waves of snow stretching to the Cypress Hills; far to the left a solitary house, with its tin roof flashing back the sun, and to the right the Big Divide. It was an old-fashioned winter, not one in which bare ground and sharp winds make life outdoors inhospitable. Snow is hospitable-clean, impacted snow; restful and silent. But there was one spot in the area of white, on which Mab’s eyes were fixed now, with something different in them from what had been there. Again it was a memory with which Sergeant Fones was associated. One day in the summer just past she had watched him and his company put away to rest under the cool sod, where many another lay in silent company, a prairie wanderer, some outcast from a better life gone by. Afterwards, in her home, she saw the Sergeant stand at the window, looking out towards the spot where the waves in the sea of grass were more regular and greener than elsewhere, and were surmounted by a high cross. She said to him—for she of all was never shy of his stern ways:

“Why is the grass always greenest there, Sergeant Fones?”