Pierre and His People: Tales of the Far North. Volume 4.

by Gilbert Parker

Shon made the sacred gesture of his creed. "To be punished by the dead. And not see them—only hear them." And his eyes steadied firmly to the other's.

Pierre was about to reply, but there came the sound of footsteps through the open door, and presently Wendling entered slowly. He was pale and worn, and his eyes looked out with a searching anxiousness. But that did not render him less comely. He had always dressed in black and white, and this now added to the easy and yet severe refinement of his person. His birth and breeding had occurred in places unfrequented by such as Shon and Pierre; but plains and wild life level all; and men are friends according to their taste and will, and by no other law. Hence these with Wendling. He stretched out his hand to each without a word. The hand- shake was unusual; he had little demonstration ever. Shon looked up surprised, but responded. Pierre followed with a swift, inquiring look; then, in the succeeding pause, he offered cigarettes. Wendling took one; and all, silent, sat down. The sun streamed intemperately through the doorway, making a broad ribbon of light straight across the floor to Wendling's feet. After lighting his cigarette, he looked into the sunlight for a moment, still not speaking. Shon meanwhile had started his pipe, and now, as if he found the silence awkward,—"It's a day for God's country, this," he said: "to make man a Christian for little or much, though he play with the Divil betunewhiles." Without looking at them, Wendling said, in a low voice: "It was just such a day, down there in Quebec, when It happened. You could hear the swill of the river, the water licking the piers, and the saws in the Big Mill and the Little Mill as they marched through the timber, flashing their teeth like bayonets. It's a wonderful sound on a hot, clear day—that wild, keen singing of the saws, like the cry of a live thing fighting and conquering. Up from the fresh-cut lumber in the yards there came a smell like the juice of apples, and the sawdust, as you thrust your hand into it, was as cool and soft as the leaves of a clove-flower in the dew. On these days the town was always still. It looked sleeping, and you saw the heat quivering up from the wooden walls and the roofs of cedar shingles as though the houses were breathing."

Here he paused, still intent on the shaking sunshine. Then he turned to the others as if suddenly aware that he had been talking to them. Shon was about to speak, but Pierre threw a restraining glance, and, instead, they all looked through the doorway and beyond. In the settlement below they saw the effect that Wendling had described. The houses breathed. A grasshopper went clacking past, a dog at the door snapped up a fly; but there seemed no other life of day. Wendling nodded his head towards the distance. "It was quiet, like that. I stood and watched the mills and the yards, and listened to the saws, and looked at the great slide, and the logs on the river: and I said ever to myself that it was all mine— all. Then I turned to a big house on the hillock beyond the cedars, whose windows were open, with a cool dusk lying behind them. More than all else, I loved to think I owned that house and what was in it. . . . She was a beautiful woman. And she used to sit in a room facing the mill—though the house fronted another way—thinking of me, I did not doubt, and working at some delicate needle-stuff. There never had been a sharp word between us, save when I quarrelled bitterly with her brother, and he left the mill and went away. But she got over that mostly, though the lad's name was, never mentioned between us. That day I was so hungry for the sight of her that I got my field-glass—used to watch my vessels and rafts making across the bay—and trained it on the window where I knew she sat. I thought, it would amuse her, too, when I went back at night, if I told her what she had been doing. I laughed to myself at the thought of it as I adjusted the glass. . . . I looked. . . . There was no more laughing. . . . I saw her, and in front of her a man, with his back half on me. I could not recognise him, though at the instant I thought he was something familiar. I failed to get his face at all. Hers I found indistinctly. But I saw him catch her playfully by the chin! After a little they rose. He put his arm about her and kissed her, and he ran his fingers through her hair. She had such fine golden hair—so light, and it lifted to every breath. Something got into my brain. I know now it was the maggot which sent Othello mad. The world in that hour was malicious, awful. . . .

"After a time—it seemed ages, she and everything had receded so far— I went . . . home. At the door I asked the servant who had been there. She hesitated, confused, and then said the young curate of the parish. I was very cool: for madness is a strange thing; you see everything with an intense aching clearness—that is the trouble. . . . She was more kind than common. I do not think I was unusual. I was playing a part well, my grandmother had Indian blood like yours, Pierre, and I was waiting. I was even nicely critical of her to myself. I balanced the mole on her neck against her general beauty; the curve of her instep, I decided, was a little too emphatic. I passed her backwards and forwards, weighing her at every point; but yet these two things were the only imperfections. I pronounced her an exceeding piece of art—and infamy. I was much interested to see how she could appear perfect in her soul. I encouraged her to talk. I saw with devilish irony that an angel spoke. And, to cap it all, she assumed the fascinating air of the mediator—for her brother; seeking a reconciliation between us. Her amazing art of person and mind so worked upon me that it became unendurable; it was so exquisite—and so shameless. I was sitting where the priest had sat that afternoon; and when she leaned towards me I caught her chin lightly and trailed my fingers through her hair as he had done: and that ended it, for I was cold, and my heart worked with horrible slowness. Just as a wave poises at its height before breaking upon the shore, it hung at every pulse-beat, and then seemed to fall over with a sickening thud. I arose, and acting still, spoke impatiently of her brother. Tears sprang to her eyes. Such divine dissimulation, I thought—too good for earth. She turned to leave the room, and I did not stay her. Yet we were together again that night. . . . I was only waiting."

The cigarette had dropped from his fingers to the floor, and lay there smoking. Shon's face was fixed with anxiety; Pierre's eyes played gravely with the sunshine. Wendling drew a heavy breath, and then went on.

"Again, next day, it was like this-the world draining the heat. . . . I watched from the Big Mill. I saw them again. He leaned over her chair and buried his face in her hair. The proof was absolute now. . . . I started away, going a roundabout, that I might not be seen. It took me some time. I was passing through a clump of cedar when I saw them making towards the trees skirting the river. Their backs were on me. Suddenly they diverted their steps—towards the great slide, shut off from water this last few months, and used as a quarry to deepen it. Some petrified things had been found in the rocks, but I did not think they were going to these. I saw them climb down the rocky steps; and presently they were lost to view. The gates of the slide could be opened by machinery from the Little Mill. A terrible, deliciously malignant thought came to me. I remember how the sunlight crept away from me and left me in the dark. I stole through that darkness to the Little Mill. I went to the machinery for opening the gates. Very gently I set it in motion, facing the slide as I did so. I could see it through the open sides of the mill. I smiled to think what the tiny creek, always creeping through a faint leak in the gates and falling with a granite rattle on the stones, would now become. I pushed the lever harder—harder. I saw the gates suddenly give, then fly open, and the river sprang roaring massively through them. I heard a shriek through the roar. I shuddered; and a horrible sickness came on me. . . . And as I turned from the machinery, I saw the young priest coming at me through a doorway! . . . It was not the priest and my wife that I had killed; but my wife and her brother. . . ."

He threw his head back as though something clamped his throat. His voice roughened with misery. "The young priest buried them both, and people did not know the truth. They were even sorry for me. But I gave up the mills—all; and I became homeless . . . this."

Now he looked up at the two men, and said: "I have told you because you know something, and because there will, I think, be an end soon." He got up and reached out a trembling hand for a cigarette. Pierre gave him one. "Will you walk with me?" he asked.

Shon shook his head. "God forgive you," he replied, "I can't do it."

But Wendling and Pierre left the hut together. They walked for an hour, scarcely speaking, and not considering where they went. At last Pierre mechanically turned to go down into Red Glen. Wendling stopped short, then, with a sighing laugh, strode on. "Shoo has told you what happened here?" he said.