It was Guida. In the silence, looking neither to right nor left, she advanced almost to where the Greffier sat, and dropping on her knee and looking up to the Bailly and the jurats, stretched out her hands and cried:
“Haro, haro! A l’aide, mon Prince, on me fait tort!”
If one rose from the dead suddenly to command them to an awed obedience, Jerseymen could not be more at the mercy of the apparition than at the call of one who cries in their midst, “Haro! Haro!”—that ancient relic of the custom of Normandy and Rollo the Dane. To this hour the Jerseyman maketh his cry unto Rollo, and the Royal Court—whose right to respond to this cry was confirmed by King John and afterwards by Charles—must listen, and every one must heed. That cry of Haro makes the workman drop his tools, the woman her knitting, the militiaman his musket, the fisherman his net, the schoolmaster his birch, and the ecrivain his babble, to await the judgment of the Royal Court.
Every jurat fixed his eye upon Guida as though she had come to claim his life. The Bailly’s lips opened twice as though to speak, but no words came. The Governor sat with hands clinched upon his chairarm. The crowd breathed in gasps of excitement. The Comtesse Chantavoine looked at Philip, looked at Guida, and knew that here was the opening of the scroll she had not been able to unfold. Now she should understand that something which had made the old Duc de Bercy with his last breath say, Don’t be afraid!
Philip stood moveless, his eyes steady, his face bitter, determined. Yet there was in his look, fixed upon Guida, some strange mingling of pity and purpose. It was as though two spirits were fighting in his face for mastery. The Countess touched him upon the arm, but he took no notice. Drawing back in her seat she looked at him and at Guida, as one might watch the balances of justice weighing life and death. She could not read this story, but one glance at the faces of the crowd round her made her aware that here was a tale of the past which all knew in little or in much.
“Haro! haro! A l’aide, mon Prince, on me fait tort!” What did she mean, this woman with the exquisite face, alive with power and feeling, indignation and appeal? To what prince did she cry?—for what aid? who trespassed upon her?
The Bailly now stood up, a frown upon his face. He knew what scandal had said concerning Guida and Philip. He had never liked Guida, for in the first days of his importance she had, for a rudeness upon his part meant as a compliment, thrown his hat—the Lieutenant-Bailly’s hat—into the Fauxbie by the Vier Prison. He thought her intrusive thus to stay these august proceedings of the Royal Court, by an appeal for he knew not what.
“What is the trespass, and who the trespasser?” asked the Bailly sternly.
Guida rose to her feet.
“Philip d’Avranche has trespassed,” she said. “What Philip d’Avranche, mademoiselle?” asked the Bailly in a rough, ungenerous tone.