By and by she became very restless. She would have been almost happier if he had gone that day: he was within call of her, still they were not to see each other.

She walked up and down the garden, Biribi the dog by her side. Sitting down on the bench beneath the appletree, she recalled every word that Philip had said to her two days before. Every tone of his voice, every look he had given her, she went over in her thoughts. There is no reporting in the world so exact, so perfect, as that in a woman’s mind, of the words, looks, and acts of her lover in the first days of mutual confession and understanding.

It can come but once, this dream, fantasy, illusion—call it what you will: it belongs to the birth hour of a new and powerful feeling; it is the first sunrise of the heart. What comes after may be the calmer joy of a more truthful, a less ideal emotion, but the transitory glory of the love and passion of youth shoots higher than all other glories into the sky of time. The splendour of youth is its madness, and the splendour of that madness is its unconquerable belief. And great is the strength of it, because violence alone can destroy it. It does not yield to time nor to decay, to the long wash of experience that wears away the stone, nor to disintegration. It is always broken into pieces at a blow. In the morning all is well, and ere the evening come the radiant temple is in ruins.

At night when Guida went to bed she could not sleep at first. Then came a drowsing, a floating between waking and sleeping, in which a hundred swift images of her short past flashed through her mind:

A butterfly darting in the white haze of a dusty road, and the cap of the careless lad that struck it down.... Berry-picking along the hedges beyond the quarries of Mont Mado, and washing her hands in the strange green pools at the bottom of the quarries.... Stooping to a stream and saying of it to a lad: “Ro, won’t it never come back?”... From the front doorway watching a poor criminal shrink beneath the lash with which he was being flogged from the Vier Marchi to the Vier Prison... Seeing a procession of bride and bridegroom with young men and women gay in ribbons and pretty cottons, calling from house to house to receive the good wishes of their friends, and drinking cinnamon wine and mulled cider—the frolic, the gaiety of it all. Now, in a room full of people, she was standing on a veille flourished with posies of broom and wildflowers, and Philip was there beside her, and he was holding her hand, and they were waiting and waiting for some one who never came. Nobody took any notice of her and Philip, she thought; they stood there waiting and waiting—why, there was M. Savary dit Detricand in the doorway, waving a handkerchief at her, and saying: “I’ve found it—I’ve found it!”—and she awoke with a start.

Her heart was beating hard, and for a moment she was dazed; but presently she went to sleep again, and dreamed once more.

This time she was on a great warship, in a storm which was driving towards a rocky shore. The sea was washing over the deck. She recognised the shore: it was the cliff at Plemont in the north of Jersey, and behind the ship lay the awful Paternosters. They were drifting, drifting on the wall of rock. High above on the land there was a solitary stone hut. The ship came nearer and nearer. The storm increased in strength. In the midst of the violence she looked up and saw a man standing in the doorway of the hut. He turned his face towards her: it was Ranulph Delagarde, and he had a rope in his hand. He saw her and called to her, making ready to throw the rope, but suddenly some one drew her back. She cried aloud, and then all grew black....

And then, again, she knew she was in a small, dark cabin of the ship. She could hear the storm breaking over the deck. Now the ship struck. She could feel her grinding upon the rocks. She seemed to be sinking, sinking—There was a knocking, knocking at the door of the cabin, and a voice calling to her—how far away it seemed!... Was she dying, was she drowning? The words of a nursery rhyme rang in her ears distinctly, keeping time to the knocking. She wondered who should be singing a nursery rhyme on a sinking ship:

“La main morte,
La main morte,
Tapp’ a la porte,
Tapp’ a la porte.”

She shuddered. Why should the dead hand tap at her door? Yet there it was tapping louder, louder.... She struggled, she tried to cry out, then suddenly she grew quiet, and the tapping got fainter and fainter—her eyes opened: she was awake.