All at once her hot agitation left her, and she became cold and still. She was in a maelstrom of feeling a minute before, though she could not have said what the feeling meant; now she was dominated by a haunting sense of injury, roused by resentment, not against him, but against everything and everybody, himself included. All the work of the last few months seemed suddenly undone—to go for nothing. Just as a drunkard in his pledge made reformation, which has done its work for a period, feels a sudden maddening desire to indulge his passion for drink, and plunges into a debauch,—the last maddening degradation before his final triumph,—so Jasmine felt now the restrictions and self-control of the past few months fall away from her. She emerged from it all the same woman who had flung her married life, her man, and her old world to the winds on the day that Krool had been driven into the street. Like Krool, she too had gone out into the unknown—into a strange land where "the Baas" had no habitation.

Rudyard's words seemed to madden her, and there was a look of scrutiny and inquiry in his eyes which she saw—and saw nothing else there. There was the inquisition in his look which had been there in their last interview when he had said as plainly as man could say, "What did it mean—that letter from Adrian Fellowes?"

It was all there in his eyes now—that hateful inquiry, the piercing scrutiny of a judge in the Judgment House, and there came also into her eyes, as though in consequence, a look of scrutiny too.

"Did you kill Adrian Fellowes? Was it you?" her disordered mind asked.

She had mistaken the look in his eyes. It was the same look as the look in hers, and in spite of all the months that had gone, both asked the same question as in the hour when they last parted. The dead man stood between them, as he had never stood in life—of infinitely more importance than he had ever been in life. He had never come between Rudyard and herself in the old life in any vital sense, not in any sense that finally mattered. He had only been an incident; not part of real life, but part of a general wastage of character; not a disintegrating factor in itself. Ah, no, not Adrian Fellowes, not him! It enraged her that Rudyard should think the dead man had had any sway over her. It was a needless degradation, against which she revolted now.

"Why have you come here—to this room?" she asked coldly.

As a boy flushes when he has been asked a disconcerting question which angers him or challenges his innocence, so Rudyard's face suffused; but the flush faded as quickly as it came. His eyes then looked at her steadily, the whites of them so white because of his bronzed face and forehead, the glance firmer by far than in his old days in London. There was none of that unmanageable emotion in his features, the panic excitement, the savage disorder which were there on the day when Adrian Fellowes' letter brought the crisis to their lives; none of the barbaric storm which drove Krool down the staircase under the sjambok. Here was force and iron strength, though the man seemed older, his thick hair streaked with grey, while there was a deep fissure between the eyebrows. The months had hardened him physically, had freed him from all superfluous flesh; and the flabbiness had wholly gone from his cheeks and chin. There was no sign of a luxurious life about him. He was merely the business-like soldier with work to do. His khaki fitted him as only uniform can fit a man with a physique without defect. He carried in his hand a short whip of rhinoceros-hide, and as he placed his hands upon his hips and looked at Jasmine meditatively, before he answered her question, she recalled the scene with Krool. Her eyes were fascinated by the whip in his hand. It seemed to her, all at once, as though she was to be the victim of his wrath, and that the whip would presently fall upon her shoulders, as he drove her out into the veld. But his eyes drew hers to his own presently, and even while he spoke to her now, the illusion of the sjambok remained, and she imagined his voice to be intermingling with the dull thud of the whip on her shoulders.

"I came to see one of my troop who was wounded at Wortmann's Drift," he answered her.

"Old Gunter," she said mechanically.

"Old Gunter, if you like," he returned, surprised. "How did you know?"