Yet, enraged as he was, he had no wish to fight; to involve himself in a fracas which might end in tragedy and the courts of the land. It was a high price to pay for any satisfaction he might have in this affair. If the Seigneur were killed in the encounter—he must defend himself now— what a miserable notoriety and possible legal penalty and public punishment! For who could vouch for the truth of his story? Even if he wounded Racine only, what a wretched story to go abroad: that he had fought with a hunchback—a hunchback who knew the use of the sword, which he did not, but still a hunchback!
"Stop this nonsense," he said, as Louis Racine prepared to attack again.
"Don't be a fool. The game isn't worth the candle."
"One of us does not leave this room alive," said the Seigneur. "You care for life. You love it, and you can't buy what you love from me. I don't care for life, and I would gladly die, to see your blood flow. Look, it's flowing down your face; it's dripping from your hand, and there shall be more dripping soon. On guard!"
He suddenly attacked with a fierce energy, forcing Fournel back upon the wall. He was not a first-class swordsman, but he had far more knowledge of the weapon than his opponent, and he had no scruple about using his knowledge. Fournel fought with desperate alertness, yet awkwardly, and he could not attack; it was all that he could do, all that he knew how to do, to defend himself. Twice again did the Seigneur's weapon draw blood, once from the shoulder and once from the leg of his opponent, and the blood was flowing from each wound. After the second injury they stood panting for a moment. Now the outside world was shut out from Fournel's senses as it was from Louis Racine's. The only world they knew was this cool room, whose oak floors were browned by the slow searching stains of Time, and darkened by the footsteps of six generations that had come and gone through the old house. The books along the walls seemed to cry out against the unseemly and unholy strife. But now both men were in that atmosphere of supreme egoism where only their two selves moved, and where the only thing that mattered on earth was the issue of this strife. Fournel could only think of how to save his life, and to do that he must become the aggressor, for his wounds were bleeding hard, and he must have more wounds, if the fight went on without harm to the Seigneur.
"You know now what it is to insult a Frenchman—On guard!" again cried the Seigneur, in a shriller voice, for everything in him was pitched to the highest note.
He again attacked, and the sound of the large swords meeting clashed on the soft air. As they struggled, a voice came ringing through the passages, singing a bar from an opera:
"Oh eager golden day, Oh happy evening hour,
Behold my lover cometh from fields of wrath and hate!
Sheathed is his sword; he cometh to my bower;
In war he findeth honour, and love within the gate."
The voice came nearer and nearer. It pierced the tragic separateness of the scene of blood. It reached the ears of the Seigneur, and a look of pain shot across his face. Fournel was only dimly aware of the voice, for he was hard pressed, and it seemed to come from infinite distances. Presently the voice stopped, and some one tried the door of the room.
It was Madelinette. Astonished at finding it locked, she stood still a moment uncertain what to do. Then the sounds of the struggle within came to her ears. She shook the door, leaned her shoulders against it, and called, "Louis! Louis!" Suddenly she darted away, found Havel the faithful servant in the passage, and brought him swiftly to the door. The man sprang upon it, striking with his shoulder. The lock gave, the door flew open, and Madelinette stepped swiftly into the room, in time to see George Fournel sway and fall, his sword rattling on the hard oak floor.
"Oh, what have you done, Louis!" she cried, then added hurriedly to Havel: "Draw the blind there, shut the door, and tell Madame Marie to bring some water quickly."