"I am holding my seigneurial court to-day," he said.
CHAPTER VI
THE ONE WHO SAW
All day and every day Madelinette's mind kept fastening itself upon one theme, kept turning to one spot. In her dreams she saw the hanging lamp, the moving panel, the little cupboard, the fatal paper. Waking and restlessly busy, she sometimes forgot it for a moment, but remembrance would come back with painful force, and her will must govern her hurt spirit into quiet resolution. She had such a sense of humiliation as though some one dear to her had committed a crime against herself. Two persons were in her—Madelinette Lajeunesse, the daughter of the village blacksmith, brought up in the peaceful discipline of her religion, shunning falsehood and dishonour with a simple proud self-respect; and Madame Racine, the great singer, who had touched at last the heart of things; and, with the knowledge, had thrown aside past principles and convictions to save her stricken husband from misery and humiliation— to save his health, his mind, his life maybe.
The struggle of conscience and expediency, of principle and womanliness wore upon her, taking away the colour from her cheeks, but spiritualising her face, giving the large black eyes an expression of rare intensity, so that the Avocat in his admiration called her Madonna, and the Cure came oftener to the Manor House with a fear in his heart that all was not well. Yet he was met by her cheerful smile, by her quiet sense of humour, by the touching yet not demonstrative devotion of the wife to the husband, and a varying and impulsive adoration of the wife by the husband. One day when the Cure was with the Seigneur, Madelinette entered upon them. Her face was pale though composed, yet her eyes had a look of abstraction or detachment. The Cure's face brightened at her approach. She wore a simple white gown with a bunch of roses at the belt, and a broad hat lined with red that shaded her face and gave it a warmth it did not possess.
"Dear Madame!" said the Cure, rising to his feet and coming towards her.
"I have told you before that I will have nothing but 'Madelinette,' dear Cure," she replied, with a smile, and gave him her hand. She turned to Louis, who had risen also, and putting a hand on his arm pressed him gently into his chair, then, with a swift, almost casual, caress of his hair, placed on the table the basket of flowers she was carrying, and began to arrange them.
"Dear Louis," she said presently, and as though en passant, "I have dismissed Tardif to-day—I hope you won't mind these dull domestic details, Cure," she added.
The Cure nodded and turned his head towards the window musingly. He was thinking that she had done a wise thing in dismissing Tardif, for the man had evil qualities, and he was hoping that he would leave the parish now.
The Seigneur nodded. "Then he will go. I have dismissed him—I have a temper—many times, but he never went. It is foolish to dismiss a man in a temper. He thinks you do not mean it. But our Madelinette there"— he turned towards the Cure now—"she is never in a temper, and every one always knows she means what she says; and she says it as even as a clock." Then the egoist in him added: "I have power and imagination and the faculty for great things; but Madelinette has serene judgment —a tribute to you, Cure, who taught her in the old days."