“Well, I felt my skin go goosey, for I saw what was going on in her mind, and how she was remembering what had happened to her some time, somewhere; but there wasn’t a tear in her eyes, and I never saw her cry-never once, m’sieu’—well, but as brave as brave. Her eyes are always dry—burning. They’re like two furnaces scorching up her face. So I never found out her history, and she won’t have the priest. I believe that’s because she wants to die unknown, and doesn’t want to confess. I never saw a woman I was sorrier for, though I think she wasn’t married to the man that left her. But whatever she was, there’s good in her—I haven’t known hundreds of women and had seven sisters for nothing. Well, there she is—not a friend near her at the last; for it’s coming soon, the end—no one to speak to her, except the woman she pays to come in and look after her and nurse her a bit. Of course there’s the landlady too, Madame Popincourt, a kind enough little cricket of a woman, but with no sense and no head for business. And so the poor sick thing has not a single pleasure in the world. She can’t read, because it makes her head ache, she says; and she never writes to any one. One day she tried to sing a little, but it seemed to hurt her, and she stopped before she had begun almost. Yes, m’sieu’, there she is without a single pleasure in the long hours when she doesn’t sleep.”
“There’s my canary—that would cheer her up,” eagerly said Jean Jacques, who, as the story of the chirruping landlady continued, became master of his agitation, and listened as though to the tale of some life for which he had concern. “Yes, take my canary to her, madame. It picked me up when I was down. It’ll help her—such a bird it is! It’s the best singer in the world. It’s got in its throat the music of Malibran and Jenny Lind and Grisi, and all the stars in heaven that sang together. Also, to be sure, it doesn’t charge anything, but just as long as there’s daylight it sings and sings, as you know.”
“M’sieu’—oh, m’sieu’, it was what I wanted to ask you, and I didn’t dare!” gushingly declared madame. “I never heard a bird sing like that—just as if it knew how much good it was doing, and with all the airs of a grand seigneur. It’s a prince of birds, that. If you mean it, m’sieu’, you’ll do as good a thing as you have ever done.”
“It would have to be much better, or it wouldn’t be any use,” remarked Jean Jacques.
The woman made a motion of friendliness with both hands. “I don’t believe that. You may be queer, but you’ve got a kind eye. It won’t be for long she’ll need the canary, and it will cheer her. There certainly was never a bird so little tied to one note. Now this note, now that, and so amusing. At times it’s as though he was laughing at you.”
“That’s because, with me for his master, he has had good reason to laugh,” remarked Jean Jacques, who had come at last to take a despondent view of himself.
“That’s bosh,” rejoined Mme. Glozel; “I’ve seen several people odder than you.”
She went over to the cage eagerly, and was about to take it away. “Excuse me,” interposed Jean Jacques, “I will carry the cage to the house. Then you will go in with the bird, and I’ll wait outside and see if the little rascal sings.”
“This minute?” asked madame.
“For sure, this very minute. Why should the poor lady wait? It’s a lonely time of day, this, the evening, when the long night’s ahead.”