"Yes, if I can," was Zoe's whispered reply, and the words shook as she said them; for she felt that their meeting in the beech-trees by the flume would be of consequence beyond imagination.

Judge Carcasson had always said that Zoe had judgment beyond her years; M. Fille had remarked often that she had both prudence and shrewdness as well as a sympathetic spirit; but M. Fille's little whispering sister, who could never be tempted away from her home to any house, to whom the market and the church were like pilgrimages to distant wilds, had said to her brother:

"Wait, Armand—wait till Zoe is waked, and then prudence and wisdom will be but accident. If all goes well, you will see prudence and wisdom; but if it does not, you will see—ah, but just Zoe!"

The now alert Jean Jacques had seen the whispering of the two, though he did not know what had been said. It was, however, something secret, and if it was secret, then it was—yes, it was love; and love between his daughter and that waif of the world—the world of the stage—in which men and women were only grown-up children, and bad grown-up children at that —it was not to be endured. One thing was sure, the man should come to the Manor Cartier no more. He would see to that to-morrow. There would be no faltering or paltering on his part. His home had been shaken to its foundations once, and he was determined that it should not fall about his ears a second time. An Englishman, an actor, a Protestant, and a renegade lawyer! It was not to be endured.

The charade now being played was the best of the evening. One of the madcap friends of Zoe was to be a singing-girl. She was supposed to carry a tambourine. When her turn to enter came, with a look of mischief and a gay dancing step, she ran into the room. In her hands was a guitar, not a tambourine. When Zoe saw the guitar she gave a cry.

"Where did you get that?" she asked in a low, shocked, indignant voice.

"In your room—your bedroom," was the half-frightened answer. "I saw it on the dresser, and I took it."

"Come, come, let's get on with the charade," urged the Man from Outside.

On the instant's pause, in which Zoe looked at her lover almost involuntarily, and without fully understanding what he said, someone else started forward with a smothered exclamation—of anger, of horror, of dismay. It was Jean Jacques. He was suddenly transformed.

His eyes were darkened by hideous memory, his face alight with passion. He caught from the girl's hands the guitar—Carmen's forgotten guitar which he had not seen for seven years—how well he knew it! With both hands he broke it across his knee. The strings, as they snapped, gave a shrill, wailing cry, like a voice stopped suddenly by death. Stepping jerkily to the fireplace he thrust it into the flame.