He was not far from her. At the side of the road, under a huge maple-tree with wide-spreading branches, Charley stood and watched John Brown performing behind the flaring oil-lights stuck on poles round his wagon, his hat now on, now off; now singing a comic song in English—-’I found Y’ in de Honeysuckle Paitch;’ now a French chanson—‘En Revenant de St. Alban;’ now treating a stiff neck or a bent back, or giving momentary help to the palsy of an old man, or again making a speech.
Charley was in touch again with the old life, but in a kind of fantasy only—a staring, high-coloured dream. This man—John Brown—had gone down before his old ironical questioning, had been, indirectly, the means of disgracing his name. A step forward to that wagon, a word uttered, a look, and he would have to face again the life he had put by for ever, would have to meet a hard problem and settle it—to what misery and tragedy, who might say? Under this tree he was M. Mallard, the infidel tailor, whose life was slowly entering into the life of this place called Chaudiere, slowly being acted upon by habit, which, automatically repeated, at length becomes character. Out in that red light, before that garish wagon, he would be Charley Steele, barrister, ‘flaneur’, and fop, who, according to the world, had misused a wife, misled her brother, robbed widows and orphans, squandered a fortune, become drunkard and wastrel, and at last had lost his life in a disorderly tavern at the Cote Dorion. This man before him had contributed to his disgrace; but once he had contributed to John Brown’s disgrace; and to-day he had saved John Brown’s life. They were even.
All the night before, all this morning, he had fought a fierce battle with his past—with a raging thirst. The old appetite had swept over him fiercely. All day he had moved in a fevered conflict, which had lifted him away from the small movements of everyday life into a region where only were himself and one strong foe, who tirelessly strove with him. In his old life he had never had a struggle of any sort. His emotions had been cloaked, his soul masked, there had been a film before his eyes, he had worn an armour of selfishness on a life which had no deep problems, because it had no deep feelings—a life never rising to the intellectual prowess for which it was fitted, save when under the stimulus of liquor.
From the moment he had waked from a long seven months’ sleep in the hut on Vadrome Mountain, new deep feelings had come to him as he faced problems of life. Fighting had begun from that hour—a fighting which was putting his nature through bitter mortal exercises, yet, too, giving him a sense of being he had never known. He had now the sweetness of earning daily bread by the work of his hands; of giving to the poor, the needy, and the afflicted; of knowing for the first time in his life that he was not alone in the world. Out of the grey dawn of life a woman’s voice had called to him; the look of her face had said to him: “Viens ici! Viens ici!”—“Come to me! Come to me!”
But with that call there was the answer of his soul, the desolating cry of the dispossessed Lear—“—never—never—never—never!”
He had not questioned himself concerning Rosalie—had dared not to do so. But now, as he stood under the great tree, within hand-touch of the old life, in imminent danger of being thrust back into it, the question of Rosalie came upon him with all the force of months of feeling behind it. Thus did he argue with himself:
“Do I love her? And if I love her, what is to be done? Marry her, with a wife living? Marry her while charged with a wretched crime? Would that be love? But suppose I never were discovered, and we might live here for ever, I as ‘Monsieur Mallard,’ in peace and quiet all the days of our life? Would that be love?... Could there be love with a vital secret, like, a cloud between, out of which, at any hour, might spring discovery? Could I build our life upon a silence which must be a lie? Would I not have to face the question, Does any one know cause or just impediment why this woman should not be married to this man? Tell Rosalie all, and let the law separate myself and Kathleen? That would mean Billy’s ruin and imprisonment, and Kathleen’s shame, and it might not bring Rosalir. She is a Catholic, and her Church would not listen to it. Would I have the right to bring trouble into her life? To wrong one woman should seem enough for one lifetime!”
At that instant Rosalie, who had been on the outskirts of the crowd, moved into his line of vision. The glare from the lights fell on her face as she stood by her father’s chair, looking curiously at the quack-doctor who, having sold many bottles of his medicines, noy picked up a guitar and began singing an old dialect chanson of Saintonge:
“Voici, the day has come
When Rosette leaves her home!
With fear she walks in the sun,
For Raoul is ninety year,
And she not twenty-one.
La petit’ Rosette,
She is not twenty-one.
“He takes her by the hand,
And to the church they go;
By parents ‘twas well meant,
But is Rosette content?
‘Tis gold and ninety year
She walks in the sun with fear,
La petit’ Rosette,
Not twenty-one as yet!”
Charley’s eyes, which had watched her these months past, noted the deepening colour of the face, the glow in the eyes, the glances of keen but agitated interest towards the singer. He could not translate her looks; and she, on her part, had she been compelled to do so, could only have set down a confusion of sensations.