“Upon my soul, you croak like a raven!” testily broke in M. Rossignol, who was present. “I didn’t know there was so much in common between you and my surly-jowled groom. He gets his pleasure out of croaking. ‘Wait, wait, you’ll see—you’ll see! Death, death, death—every man must die! The devil has you by the hair—death—death—death!’ Bah! I’m heartily sick of croakers. I suppose, like my grunting groom, you’ll say about the Passion Play, ‘No good will come of it—wait—wait—wait!’ Bah!”
“It may not be an unmixed good,” answered the ascetic.
“Well, and is there any such thing on earth as an unmixed good? The play yesterday was worth a thousand sermons. It was meant to serve Holy Church, and it will serve it. Was there ever anything more real—and touching—than Paulette Dubois as Mary Magdalene yesterday?”
“I do not approve of such reality. For that woman to play the part is to destroy the impersonality of the scene.”
“You would demand that the Christus should be a good man, and the St. John blameless—why shouldn’t the Magdalene be a repentant woman?”
“It might impress the people more, if the best woman in your parish were to play the part. The fall of virtue, the ruin of innocence, would be vividly brought home. It does good to make the innocent feel the terror and shame of sin. That is the price the good pay for the fall of man—sorrow and shame for those who sin.” The Seigneur, rising quickly from the table, and kicking his chair back, said angrily: “Damn your theories!” Then, seeing the frozen look on his brother’s face, continued, more excitedly: “Yes, damn, damn, damn your theories! You always took the crass view. I beg your pardon, Cure—I beg your pardon.”
He then went to the window, threw it open, and called to his groom.
“Hi, there, coffin-face,” he said, “bring round the horses—the quietest one in the stable for my brother—you hear? He can’t ride,” he added maliciously.
This was his fiercest stroke, for the Abbe’s secret vanity was the belief that he looked well on a horse, and rode handsomely.