Charley had been confined to his room for three days, because of his injuries and a feverish cold he had caught, and the habitants did not disturb his quiet. But Mrs. Flynn took him broth made by Rosalie’s hands, and Rosalie fought with her desire to go to him and nurse him. She was not, however, the Rosalie of the old impulse and impetuous resolve—the arrow had gone too deep; she waited till she could see his face again and look into his eyes. Not apathy, but a sense of the inevitable was upon her, and pale and fragile, but with a calm spirit, she waited for she knew not what.
She felt that the day of fate was closing down. She must hold herself ready for the hour when he would need her most. At first, when the conviction had come to her that the end of all was near, she had revolted. She had had impulse to go to him at all hazards, to say to him: “Come away—anywhere, anywhere!” But that had given place to the deeper thing in her, and something of Charley’s spirit of stoic waiting had come upon her.
She watched the people going to the Notary’s office with their tributes and free-will offerings, and they seemed like people in a play—these days she lived no life which was theirs. It was a dream, unimportant and temporary. She was feeling what was behind all life, and permanent. It could not last, but there it was; and she could not return to the transitory till this cloud of fate was lifted. She was much too young to suffer so, but the young ever suffer most.
On the fourth day she saw Charley. He came from his shop and went to the Notary’s office. At first she was startled, for he was clean-shaven—the fire had burned his beard to the skin. She saw a different man, far removed from this life about them both—individual, singular. He was pale, and his eye-glass, with the cleanshaven face, gave an impression of refined separateness. She did not know that the same look was in both their faces. She watched him till he entered the Notary’s shop, then she was called away to her duties.
Charley had come to give his one-fortieth with the rest. When he entered the Notary’s office, the Seigneur and M. Dauphin stood up to greet him. They congratulated him on his recovery, while feeling also that the change in his personal appearance somehow affected their relations. A crowd gathered round the door of the shop. When Charley made his offering, with a statement of his goods and income, the Seigneur and Notary did not know what to do. They were disposed to decline it, for since Monsieur was no Catholic, it was not his duty to help. At this moment of delicate anxiety M. Loisel entered. With a swift bright flush to his cheek he saw the difficulty, and at once accepted freely.
“God bless you,” he said, as he took the money, and Charley left. “It shall build the doorway of my church.”
Later in the day the Cure sent for Charley. There were grave matters to consider, and his counsel was greatly needed. They had all come to depend on the soundness of his judgment. It had never gone astray in Chaudiere, they said. They owed to him this extraordinary scheme, which would be an example to all modern Christianity. They told him so. He said nothing in reply.
In an hour he had planned for them a scheme for the consideration of contractors; had drawn, with the help of M. Loisel, an architect’s rough plan of the new church, and, his old professional instincts keenly alive, had lucidly suggested the terms and safeguards of the contracts.
Then came the question of the money contributed. The day before, M. Dauphin and the Seigneur’s steward had arrived in safety from Quebec with twenty thousand dollars in bank-bills. These M. Rossignol had exchanged for the notes of hand of such of the habitants as had not ready cash to give. All of this twenty thousand dollars had been paid over. They had now thirty thousand dollars in cash, besides three thousand which the Cure had at his house, the proceeds of the Passion Play. It was proposed to send this large sum to the bank in Quebec in another two days, when the whole contributions should be complete.
As to the safety of the money, the timid M. Dauphin did not care to take responsibility. Strangers were still arriving, ignorant of the fact that the Passion Play had ceased, and some of them must be aware that this large sum of money was in the parish—no doubt also knew that it was in his house. It was therefore better, he urged, that M. Rossignol or the Cure should take charge of it. M. Loisel urged that secrecy as to the resting-place of the money was important. It was better that it should be deposited in the most unlikely place, and with some unofficial person who might not be supposed to have it in charge.