Louis Trudel had heard the Cure’s words, and in his place at the rear of the church he smiled sourly to himself. In due time the little cross should be returned, but it had work to do first. He did not take the holy communion this Easter day, or go to confession as was his wont. Not, however, until a certain day later did the Cure realise this, though for thirty years the tailor had never omitted his Easter-time duties.
The people guessed and guessed, but they knew not on whom to cast suspicion at first. No sane Catholic of Chaudiere could possibly have taken the holy thing. Presently a murmur crept about that M’sieu’ might have been the thief. He was not a Catholic, and—who could tell? Who knew where he came from? Who knew what he had been? Perhaps a jail-bird-robber-murderer! Charley, however, stitched on, intent upon his own struggle.
The procession passed the doorway: men bearing banners with sacred texts, acolytes swinging censers, a figure of the Saviour carved in wood borne aloft, the Cure under a silk canopy, and a long line of habitants following with sacred song. People fell upon their knees in the street as the procession passed, and the Cure’s face was bent here and there, his hand raised in blessing.
Old Louis got up from his bench, and, putting on a coat over his wool jacket, hastened to the doorway, knelt down, made the sign of the cross, and said a prayer. Then he turned quickly towards Charley, who, looking at the procession, then at the tailor, then back again at the procession, smiled.
Charley was hardly conscious of what he did. His mind had ranged far beyond this scene to the large issues which these symbols represented. Was it one universal self-deception? Was this “religion” the pathetic, the soul-breaking make-believe of mortality? So he smiled—at himself, at his own soul, which seemed alone in this play, the skeleton in armour, the thing that did not belong. His own words written that fateful day before he died at the Cote Dorion came to him:
“Sacristan, acolyte, player, or preacher, Each to his office, but who holds the key? Death, only Death, thou, the ultimate teacher, Wilt show it to me!”
He was suddenly startled from his reverie, through which the procession was moving—a cloud of witnesses. It was the voice of Louis Trudel, sharp and piercing:
“Don’t you believe in God and the Son of God?”
“God knows!” answered Charley slowly in reply—an involuntary exclamation of helplessness, an automatic phrase deflected from its first significance to meet a casual need of the mind. Yet it seemed like satire, like a sardonic, even vulgar, humour. So it struck Louis Trudel, who snatched up a hot iron from the fire and rushed forward with a snarl. So astounded was Charley that he did not stir. He was not prepared for the sudden onslaught. He did not put up his hand even, but stared at the tailor, who, within a foot of him, stopped short with the iron poised.
Louis Trudel repented in time. With the cunning of the monomaniac he realised that an attack now might frustrate his great stroke. It would bring the village to his shop door, precipitate the crisis upon the wrong incident.