"I had a friend once—good fellow, bad fellow, cleverest chap I ever knew. Tremendous fop—ladies loved him—cheeks like roses—tongue like sulphuric acid. Beautiful to look at. Clothes like a fashion-plate—got any fashion-plates in Chaudiere? 'who's your tailor?'" he added, in the slang of the hour, with a loud laugh, then stopped suddenly and took off his hat. "I forgot," he added, with upturned eyes and a dramatic seriousness, "your tailor saved my life to-day-henceforth I am the friend of all tailors. Well, to continue. My friend that was—I call him my friend, though he ruined me and ruined others,—didn't mean to, but he did just the same,—he came to a bad end. But he was a great man while he lived. And what I'm coming to is this, the song he used to sing when, in youthful exuberance, we went on the war-path like our young friend over there"—he pointed to a young habitant farmer, who was trying hard to preserve equilibrium—"Brown's Golden Pectoral will cure that cough, my friend!" he added, as the young man, gloomily ashamed of the laughter of the crowd, hiccoughed and turned away to the tree under which Charley Steele stood. "Well," he went on, "I was going to say that my friend's name was Charley, and the song he used to sing when the roosters waked the morn was called 'Champagne Charlie.' He was called 'Champagne Charlie'—till he came to a bad end."
He twanged his guitar, cleared his throat, winked at Maximilian Cour the baker, and began:
"The way I gained my title's by a hobby which I've got
Of never letting others pay, however long the shot;
Whoever drinks at my expense is treated all the same;
Whoever calls himself my friend, I make him drink champagne.
Some epicures like Burgundy, Hock, Claret, and Moselle,
But Moet's vintage only satisfies this champagne swell.
What matter if I go to bed and head is muddled thick,
A bottle in the morning sets me right then very quick.
Champagne Charlie is my name;
Champagne Charlie is my name.
Who's the man with the heart so young,
Who's the man with the ginger tongue?
Champagne Charlie is his name!"
Under the tree, Charley Steele listened to this jaunty epitaph on his old self. At the first words of the coarse song there rushed on him the dreaded thirst. He felt his veins beating with desire, with anger, disgust, and shame; for there was John Brown, to the applause of the crowd, imitating his old manner, his voice, his very look. He started forward, but the drunken young habitant lurched sideways under the tree and collapsed upon the ground, a bottle of whiskey falling out of his pocket and rolling almost to his own feet.
"Champagne Charlie is my name,"
sang the medicine-man. All Charley's old life surged up in him as dyked water suddenly bursts bounds and spreads destruction. He had an uncontrollable impulse. As a starving animal snatches at the first food offered it, he stooped, with a rattle in his throat, seized the bottle, uncorked it, put it to his lips, and drank—drank—drank.
Then he turned and plunged away into the trees. The sound of the song followed him. It came to him, the last refrain, sung loudly to the laughter of the crowd, in imitation of his own voice as it used to be —it had been a different voice during this past year. He turned with headlong intention, and, as the last notes of the song and the applause that followed it, died away, threw back his head and sang out of the darkness:
"Champagne Charlie is my name—"
With a shrill laugh, like the half-mad cry of an outcast soul, he flung away farther into the trees.
There was a sudden silence. The crowd turned with half-apprehensive laughter to the trees. Upon John Brown the effect was startling. His face blanched, his eyes grew large with terror, his mouth opened in helpless agitation. Charley Steele was lying under the waters of the great river, his bones rotting there for a year, yet here was his voice coming out of the night, in response to his own grotesque imitation of the dead man. Seeing his agitation, women turned pale, men felt their flesh creep, imagination gave a thrilling coldness to the air. For a moment the silence was unbroken. Then John Brown stretched out his hand and said, in a hoarse whisper: