"What is the token?
Bruised and broken,
Bend I my life to a blossoming rod?
Shall then the worst things
Come to the first things,
Finding the best of all, last of all, God?"
Like the cry of his "Aphrodite," written that last afternoon of the old life, this plaint ended with the same restless, unceasing question. But there was a difference. There was no longer the material, distant note of a pagan mind; there was the intimate, spiritual note of a mind finding a foothold on the submerged causeway of life and time.
As he folded up the paper to put it into his pocket, Jo Portugais entered the room. He threw in a corner the wet bag which had protected his shoulders from the rain, hung his hat on a peg of the chimney-piece, nodded to Charley, and put a kettle on the little fire.
"A big storm, M'sieu'," Jo said presently as he put some tea into a pot.
"I have never seen a great storm in a forest before," answered Charley, and came nearer to the window through which the bright sun streamed.
"It always does me good," said Jo. "Every bird and beast is awake and afraid and trying to hide, and the trees fall, and the roar of it like the roar of the chasse-galerie on the Kimash River."
"The Kimash River—where is it?"
Jo shrugged his shoulders. "Who knows!"
"Is it a legend, then?"
"It is a river."