“I will not lift a finger. There are weightier matters. Let Doltaire, the idler, the Don Amato, the hunter of that fawn, save her from the holy ambush. Tut, tut, Chevalier. Let her go. Your nephew is to marry her sister; let her be swallowed up—a shame behind the veil, the sweet litany of the cloister.”
The Chevalier’s voice set hard as he said in quick reply, “My family honour, Francois Bigot, needs no screen. And if you doubt that, I will give you argument at your pleasure;” so saying, he turned and went back into the chateau.
Thus the honest Chevalier kept his word, given to me when I released him from serving me on the St. Lawrence.
Bigot came down the steps, smiling detestably, and passed me with no more than a quick look. I made my way cautiously through the streets towards the cathedral, for I owed a duty to the poor soldier who had died in my arms, through whose death I had been able to enter the town.
Disarray and ruin met my sight at every hand. Shot and shell had made wicked havoc. Houses where, as a hostage, I had dined, were battered and broken; public buildings were shapeless masses, and dogs and thieves prowled among the ruins. Drunken soldiers staggered past me; hags begged for sous or bread at corners; and devoted priests and long-robed Recollet monks, cowled and alert, hurried past, silent, and worn with labours, watchings, and prayers. A number of officers in white uniforms rode by, going towards the chateau, and a company of coureurs de bois came up from Mountain Street, singing:
“Giron, giran! le canon grand—
Commencez-vous, commencez-vous!”
Here and there were fires lighted in the streets, though it was not cold, and beside them peasants and soldiers drank and quarreled over food—for starvation was abroad in the land.
By one of these fires, in a secluded street—for I had come a roundabout way—were a number of soldiers of Languedoc’s regiment (I knew them by their trick of headgear and their stoutness), and with them reckless girls, who, in their abandonment, seemed to me like those revellers in Herculaneum, who danced their way into the Cimmerian darkness. I had no thought of staying there to moralize upon the theme; but, as I looked, a figure came out of the dusk ahead, and moved swiftly towards me.
It was Mathilde. She seemed bent on some errand, but the revellers at the fire caught her attention, and she suddenly swerved towards them, and came into the dull glow, her great black eyes shining with bewildered brilliancy and vague keenness, her long fingers reaching out with a sort of chafing motion. She did not speak till she was among them. I drew into the shade of a broken wall, and watched. She looked all round the circle, and then, without a word, took an iron crucifix which hung upon her breast, and silently lifted it above their heads for a moment. I myself felt a kind of thrill go through me, for her wild beauty was almost tragical. Her madness was not grotesque, but solemn and dramatic. There was something terribly deliberate in her strangeness; it was full of awe to the beholder, more searching and painfully pitiful than melancholy.
Coarse hands fell away from wanton waists; ribaldry hesitated; hot faces drew apart; and all at once a girl with a crackling laugh threw a tin cup of liquor into the fire. Even as she did it, a wretched dwarf sprang into the circle without a word, and, snatching the cup out of the flames, jumped back again into the darkness, peering into it with a hollow laugh. As he did so a soldier raised a heavy stick to throw at him; but the girl caught him by the arms, and said, with a hoarse pathos, “My God, no, Alphonse! It is my brother!”