"Then she speak down to him, her voice ver' quiet. 'Argand,' she say, 'you are more a man drunk than sober. Argand,' she go on, 'years ago, they said you were a brave man; you fight well, you do good work for the King, your name goes with a sweet sound to Versailles. You had only your sword and my poor fortune and me then—that is all; but you were a man. You had ambition, so had I. What can a woman do? You had your sword, your country, the King's service. I had beauty; I wanted power—ah yes, power, that was the thing! But I was young and a fool; you were older. You talked fine things then, but you had a base heart, so much baser than mine…. I might have been a good woman. I was a fool, and weak, and vain, but you were base—so base—coward and betrayer, you!'
"At that m'sieu' start up and snatch at his sword, and speak out between his teeth, 'By God, I will kill you to-night!' She smile cold and hard, and say, 'No, no, you will not; it is too late for killing; that should have been done before. You sold your right to kill long ago, Argand Cournal. You have been close friends with the man who gave me power, and you gold.' Then she get fierce. 'Who gave you gold before he gave me power, traitor?' Like that she speak. 'Do you never think of what you have lost?' Then she break out in a laugh. 'Pah! Listen: if there must be killing, why not be the great Roman—drunk!'
"Then she laugh so hard a laugh, and turn away, and go quick by me and not see me. She step into the dark, and he sit down in the chair, and look straight in front of him. I do not stir, and after a minute she come back sof', and peep down, her face all differen'. 'Argand! Argand!' she say ver' tender and low, 'if—if—if'—like that. But just then he see the broken watch on the floor, and he stoop, with a laugh, and pick up the pieces; then he get a candle and look on the floor everywhere for the jewels, and he pick them up, and put them away one by one in his purse like a miser. He keep on looking, and once the fire of the candle burn his beard, and he swear, and she stare and stare at him. He sit down at the table, and look at the jewels and laugh to himself. Then she draw herself up, and shake, and put her hands to her eyes, and 'C'est fini! c'est fini!' she whisper, and that is all.
"When she is gone, after a little time he change—ah, he change much, he go to a table and pour out a great bowl of wine, and then another, and he drink them both, and he begin to walk up and down the floor. He sway now and then, but he keep on for a long time. Once a servant come, but he wave him away, and he scowl and talk to himself, and shut the doors and lock them. Then he walk on and on. At last he sit down, and he face me. In front of him are candles, and he stare between them, and stare and stare. I sit and watch, and I feel a pity. I hear him say, 'Antoinette! Antoinette! My dear Antoinette! We are lost forever, my Antoinette!' Then he take the purse from his pocket, and throw it up to the balcony where I am. 'Pretty sins,' he say, 'follow the sinner!' It lie there, and it have sprung open, and I can see the jewels shine, but I not touch it—no. Well, he sit there long—long, and his face get gray and his cheeks all hollow.
"I hear the clock strike one! two! three! four! Once some one come and try the door, but go away again, and he never stir; he is like a dead man. At last I fall asleep. When I wake up, he still sit there, but his head lie in his arms. I look round. Ah, it is not a fine sight—no. The candles burn so low, and there is a smell of wick, and the grease runs here and there down the great candlesticks. Upon the floor, this place and that, is a card, and pieces of paper, and a scarf, and a broken glass, and something that shine by a small table. This is a picture in a little gold frame. On all the tables stand glasses, some full, and some empty of wine. And just as the dawn come in through the tall windows, a cat crawl out from somewhere, all ver' thin and shy, and walk across the floor; it make the room look so much alone. At last it come and move against m'sieu's legs, and he lift his head and look down at it, and nod, and say something which I not hear. After that he get up, and pull himself together with a shake, and walk down the room. Then he see the little gold picture on the floor which some drunk young officer drop, and he pick it up and look at it, and walk again. 'Poor fool!' he say, and look at the picture again. 'Poor fool! Will he curse her some day—a child with a face like that? Ah!' And he throw the picture down. Then he walk away to the doors, unlock them, and go out. Soon I steal away through the panels, and out of the palace ver' quiet, and go home. But I can see that room in my mind."
Again the jailer hurried Voban; There was no excuse for him to remain longer; so I gave him a message to Alixe, and slipped into his hand a transcript from my journal. Then he left me, and I sat and thought upon the strange events of the evening which he had described to me. That he was bent on mischief I felt sure, but how it would come, what were his plans, I could not guess. Then suddenly there flashed into my mind my words to him, "blow us all to pieces," and his consternation and strange eagerness. It came to me suddenly: he meant to blow up the Intendance. When? And how? It seemed absurd to think of it. Yet—yet— The grim humour of the thing possessed me, and I sat back and laughed heartily.
In the midst of my mirth the cell door opened and let in Doltaire.
XV
IN THE CHAMBER OF TORTURE
I started from my seat; we bowed, and, stretching out a hand to the fire, Doltaire said, "Ah, my Captain, we meet too seldom. Let me see: five months—ah yes, nearly five months. Believe me, I have not breakfasted so heartily since. You are looking older—older. Solitude to the active mind is not to be endured alone—no."