This book played a most important part in a development of my literary work, and the warm reception by the public—for in England it has been through its tenth edition, and in America through proportionate thousands—was partly made possible by the very beautiful illustrations which accompanied its publication in The Illustrated London News. The artist was A. L. Forestier, and never before or since has my work received such distinguished pictorial exposition, save, perhaps, in The Weavers, when Andre Castaigne did such triumphant work. It is a joy still to look at the illustrations of The Trail of the Sword, for, absolutely faithful to the time, they add a note of verisimilitude to the tale.
A NOTE
The actors in this little drama played their parts on the big stage of a new continent two hundred years ago. Despots sat upon the thrones of France and England, and their representatives on the Hudson and the St. Lawrence were despots too, with greater opportunity and to better ends. In Canada, Frontenac quarreled with his Intendant and his Council, set a stern hand upon the Church when she crossed with his purposes, cajoled, treated with, and fought the Indians by turn, and cherished a running quarrel with the English Governor of New York. They were striving for the friendship of the Iroquois on the one hand, and for the trade of the Great West on the other. The French, under such men as La Salle, had pushed their trading posts westward to the great lakes and beyond the Missouri, and north to the shores of Hudson's Bay. They traded and fought and revelled, hot with the spirit of adventure, the best of pioneers and the worst of colonists. Tardily, upon their trail, came the English and the Dutch, slow to acquire but strong to hold; not so rash in adventure, nor so adroit in intrigue, as fond of fighting, but with less of the gift of the woods, and much more the faculty for government. There was little interchange of friendliness and trade between the rival colonists; and Frenchmen were as rare on Manhattan Island as Englishmen on the heights of Quebec—except as prisoners.
G. P.
THE TRAIL OF THE SWORD
EPOCH THE FIRST I. AN ENVOY EXTRAORDINARY II. THE THREAT OF A RENEGADE III. THE FACE AT THE WINDOW IV. THE UPLIFTING OF THE SWORDS V. THE FRUITS OF THE LAW VI. THE KIDNAPPING
CHAPTER I
AN ENVOY EXTRAORDINARY
One summer afternoon a tall, good-looking stripling stopped in the midst of the town of New York, and asked his way to the governor's house. He attracted not a little attention, and he created as much astonishment when he came into the presence of the governor. He had been announced as an envoy from Quebec. "Some new insolence of the County Frontenac!" cried old Richard Nicholls, bringing his fist down on the table. For a few minutes he talked with his chamberfellow; then, "Show the gentleman in," he added. In the room without, the envoy from Quebec had stood flicking the dust from his leggings with a scarf. He was not more than eighteen, his face had scarcely an inkling of moustache, but he had an easy upright carriage, with an air of self-possession, the keenest of grey eyes, a strong pair of shoulders, a look of daring about his rather large mouth, which lent him a manliness well warranting his present service. He had been left alone, and the first thing he had done was to turn on his heel and examine the place swiftly. This he seemed to do mechanically, not as one forecasting danger, not as a spy. In the curve of his lips, in an occasional droop of his eyelids, there was a suggestion of humour: less often a quality of the young than of the old. For even in the late seventeenth century, youth took itself seriously at times.
Presently, as he stood looking at the sunshine through the open door, a young girl came into the lane of light, waved her hand, with a little laugh, to some one in the distance, and stepped inside. At first she did not see him. Her glances were still cast back the way she had come. The young man could not follow her glance, nor was he anything curious. Young as he was, he could enjoy a fine picture. There was a pretty demureness in the girl's manner, a warm piquancy in the turn of the neck, and a delicacy in her gestures, which to him, fresh from hard hours in the woods, was part of some delightful Arcady—though Arcady was more in his veins than of his knowledge. For the young seigneur of New France spent far more hours with his gun than with his Latin, and knew his bush- ranging vassal better than his tutor; and this one was too complete a type of his order to reverse its record. He did not look to his scanty lace, or set himself seemingly; he did but stop flicking the scarf held loose in his fingers, his foot still on the bench. A smile played at his lips, and his eyes had a gleam of raillery. He heard the girl say in a soft, quaint voice, just as she turned towards him, "Foolish boy!" By this he knew that the pretty picture had for its inspiration one of his own sex.