The priest was powerfully made; so powerful indeed, so tall was he, that when, in one of the changes of the music, a kind of exaltation filled him, and he came to his feet, his head almost touched the ceiling. His shoulders were broad and strong, and though his limbs were hid by his cassock, his arms showed almost huge, and the violin lay tucked under his chin like a mere toy. In the eye was a penetrating but abstracted look, and the countenance had the gravity of a priest lighted by a cheerful soul within. It had been said of Dollier de Casson that once, attacked by two renegade Frenchmen, he had broken the leg of one and the back of the other, and had then picked them up and carried them for miles to shelter and nursing. And it was also declared by the romantic that the man with the broken back recovered, while he with the shattered leg, recovering also, found that his foot, pointing backwards, "made a fool of his nose."
The Abbe de Casson's life had one affection, which had taken the place of others, now almost lost in the distance of youth, absence, and indifference. For France lay far from Montreal, and the priest-musician was infinitely farther off: the miles which the Church measures between the priest and his lay boyhood are not easily reckoned. But such as Dollier de Casson must have a field for affection to enrich. You cannot drive the sap of the tree in upon itself. It must come out or the tree must die-burst with the very misery of its richness.
This night he was crowding into the music four years of events: of memory, hope, pride, patience, and affection. He was waiting for some one whom he had not seen for these four years. Time passed. More and more did the broad sonorous notes fill the room. At length they ceased, and with a sigh he pressed the violin once, twice, thrice to his lips.
"My good Stradivarius," he said, "my pearless one!" Once again he kissed it, and then, drawing his hand across his eyes, he slowly wrapped the violin in a velvet cloth, put it away in an iron box, and locked it up. But presently he changed his mind, took it out again, and put it on the table, shaking his head musingly.
"He will wish to see it, maybe to hear it," he said half aloud.
Then he turned and went into another room. Here there was a prie-dieu in a corner, and above it a crucifix. He knelt and was soon absorbed.
For a time there was silence. At last there was a crunching of moccasined feet upon the crisp snow, then a slight tap at the outer door, and immediately it was opened. A stalwart young man stepped inside. He looked round, pleased, astonished, and glanced at the violin, then meaningly towards the nearly closed door of the other room. After which he pulled off his gloves, threw his cap down, and with a significant toss of the head, picked up the violin.
He was a strong, handsome man of about twenty-two, with a face at once open and inscrutable: the mouth with a trick of smiling, the eyes fearless, convincing, but having at the same time a look behind this—an alert, profound speculation, which gave his face singular force. He was not so tall as the priest in the next room, but still he was very tall, and every movement had a lithe, supple strength. His body was so firm that, as he bent or turned, it seemed as of soft flexible metal.
Despite his fine manliness, he looked very boylike as he picked up the violin, and with a silent eager laugh put it under his chin, nodding gaily, as he did so, towards the other room. He bent his cheek to the instrument—almost as brown as the wood itself—and made a pass or two in the air with the bow, as if to recall a former touch and tune. A satisfied look shot up in his face, and then with an almost impossible softness he drew the bow across the strings, getting a distant delicate note, which seemed to float and tenderly multiply upon itself—a variation, indeed, of the tune which De Casson had played. A rapt look came into his eyes. And all that look behind the general look of his face—the look which has to do with a man's past or future—deepened and spread, till you saw, for once in a way, a strong soldier turned artist, yet only what was masculine and strong. The music deepened also, and, as the priest opened the door, swept against him like a wind so warm that a moisture came to his eyes. "Iberville!" he said, in a glad voice. "Pierre!"
The violin was down on the instant. "My dear abbe!" he cried. And then the two embraced.