But there was another farewell to make; and it was made as David’s foot touched the deck of the steamer. Once again David looked at Nahoum as he had done six years ago, in the little room where they had made their bond together. There was the same straight look in Nahoum’s eyes. Was he not to be trusted? Was it not his own duty to trust? He clasped Nahoum’s hand in farewell, and turned away. But as he gave the signal to start, and the vessel began to move, Nahoum came back. He leaned over the widening space and said in a low tone, as David again drew near:
“There is still an account which should be settled, Saadat. It has waited long; but God is with the patient. There is the account of Foorgat Bey.”
The light fled from David’s eyes and his heart stopped beating for a moment. When his eyes saw the shore again Nahoum was gone with Kaid.
CHAPTER XXXV. THE FLIGHT OF THE WOUNDED
“And Mario can soothe with a tenor note
The souls in purgatory.”
“Non ti scordar di mi!” The voice rang out with passionate stealthy sweetness, finding its way into far recesses of human feeling. Women of perfect poise and with the confident look of luxury and social fame dropped their eyes abstractedly on the opera-glasses lying in their laps, or the programmes they mechanically fingered, and recalled, they knew not why—for what had it to do with this musical narration of a tragic Italian tale!—the days when, in the first flush of their wedded life, they had set a seal of devotion and loyalty and love upon their arms, which, long ago, had gone to the limbo of lost jewels, with the chaste, fresh desires of worshipping hearts. Young egotists, supremely happy and defiant in the pride of the fact that they loved each other, and that it mattered little what the rest of the world enjoyed, suffered, and endured—these were suddenly arrested in their buoyant and solitary flight, and stirred restlessly in their seats. Old men whose days of work were over; who no longer marshalled their legions, or moved at a nod great ships upon the waters in masterful manoeuvres; whose voices were heard no more in chambers of legislation, lashing partisan feeling to a height of cruelty or lulling a storm among rebellious followers; whose intellects no longer devised vast schemes of finance, or applied secrets of science to transform industry—these heard the enthralling cry of a soul with the darkness of eternal loss gathering upon it, and drew back within themselves; for they too had cried like this one time or another in their lives. Stricken, they had cried out, and ambition had fled away, leaving behind only the habit of living, and of work and duty.
As Hylda, in the Duchess of Snowdon’s box, listened with a face which showed nothing of what she felt, and looking straight at the stage before her, the words of a poem she had learned but yesterday came to her mind, and wove themselves into the music thrilling from the voice in the stage prison:
“And what is our failure here but a triumph’s evidence
For the fulness of the days? Have we withered or agonised?
Why else was the pause prolonged but that singing might issue
thence?
Why rushed the discords in, but that harmony should be prized?”
“And what is our failure here but a triumph’s evidence?” Was it then so? The long weeks which had passed since that night at Hamley, when she had told Eglington the truth about so many things, had brought no peace, no understanding, no good news from anywhere. The morning after she had spoken with heart laid bare. Eglington had essayed to have a reconciliation; but he had come as the martyr, as one injured. His egotism at such a time, joined to his attempt to make light of things, of treating what had happened as a mere “moment of exasperation,” as “one of those episodes inseparable from the lives of the high-spirited,” only made her heart sink and grow cold, almost as insensible as the flesh under a spray of ether. He had been neither wise nor patient. She had not slept after that bitter, terrible scene, and the morning had found her like one battered by winter seas, every nerve desperately alert to pain, yet tears swimming at her heart and ready to spring to her eyes at a touch of the real thing, the true note—and she knew so well what the true thing was! Their great moment had passed, had left her withdrawn into herself, firmly, yet without heart, performing the daily duties of life, gay before the world, the delightful hostess, the necessary and graceful figure at so many functions.