"I have it here," David answered.
"Let us have music, then."
"To what end?" interjected the shrill Elder.
"He hath averred he can play," drily replied the other. "Let us judge whether vanity breeds untruth in him."
The furtive brightening of the eyes in the women was represented in the men by an assumed look of abstraction in most; in others by a bland assumption of judicial calm. A few, however, frowned, and would have opposed the suggestion, but that curiosity mastered them. These watched with darkening interest the flute, in three pieces, drawn from an inner pocket and put together swiftly.
David raised the instrument to his lips, blew one low note, and then a little run of notes, all smooth and soft. Mellowness and a sober sweetness were in the tone. He paused a moment after this, and seemed questioning what to play. And as he stood, the flute in his hands, his thoughts took flight to his Uncle Benn, whose kindly, shrewd face and sharp brown eyes were as present to him, and more real, than those of Luke Claridge, whom he saw every day. Of late when he had thought of his uncle, however, alternate depression and lightness of spirit had possessed him. Night after night he had troubled sleep, and he had dreamed again and again that his uncle knocked at his door, or came and stood beside his bed and spoke to him. He had wakened suddenly and said "Yes" to a voice which seemed to call to him.
Always his dreams and imaginings settled round his Uncle Benn, until he had found himself trying to speak to the little brown man across the thousand leagues of land and sea. He had found, too, in the past that when he seemed to be really speaking to his uncle, when it seemed as though the distance between them had been annihilated, that soon afterwards there came a letter from him. Yet there had not been more than two or three a year. They had been, however, like books of many pages, closely written, in Arabic, in a crabbed characteristic hand, and full of the sorrow and grandeur and misery of the East. How many books on the East David had read he would hardly have been able to say; but something of the East had entered into him, something of the philosophy of Mahomet and Buddha, and the beauty of Omar Khayyam had given a touch of colour and intellect to the narrow faith in which he had been schooled. He had found himself replying to a question asked of him in Heddington, as to how he knew that there was a God, in the words of a Muslim quoted by his uncle: "As I know by the tracks in the sand whether a Man or Beast has passed there, so the heaven with its stars, the earth with its fruits, show me that God has passed." Again, in reply to the same question, the reply of the same Arab sprang to his lips—"Does the Morning want a Light to see it by?"
As he stood with his flute—his fingers now and then caressingly rising and falling upon its little caverns, his mind travelled far to those regions he had never seen, where his uncle traded, and explored. Suddenly, the call he had heard in his sleep now came to him in this waking reverie. His eyes withdrew from the tree at the window, as if startled, and he almost called aloud in reply; but he realised where he was. At last, raising the flute to his lips, as the eyes of Luke Claridge closed with very trouble, he began to play.
Out in the woods of Beedon he had attuned his flute to the stir of leaves, the murmur of streams, the song of birds, the boom and burden of storm; and it was soft and deep as the throat of the bell-bird of Australian wilds. Now it was mastered by the dreams he had dreamed of the East: the desert skies, high and clear and burning, the desert sunsets, plaintive and peaceful and unvaried—one lovely diffusion, in which day dies without splendour and in a glow of pain. The long velvety tread of the camel, the song of the camel-driver, the monotonous chant of the river-man, with fingers mechanically falling on his little drum, the cry of the eagle of the Libyan Hills, the lap of the heavy waters of the Dead Sea down by Jericho, the battle-call of the Druses beyond Damascus, the lonely gigantic figures at the mouth of the temple of Abou Simbel, looking out with the eternal question to the unanswering desert, the delicate ruins of moonlit Baalbec, with the snow mountains hovering above, the green oases, and the deep wells where the caravans lay down in peace—all these were pouring their influences on his mind in the little Quaker village of Hamley where life was so bare, so grave.
The music he played was all his own, was instinctively translated from all other influences into that which they who listened to him could understand. Yet that sensuous beauty which the Quaker Society was so concerned to banish from any part in their life was playing upon them now, making the hearts of the women beat fast, thrilling them, turning meditation into dreams, and giving the sight of the eyes far visions of pleasure. So powerful was this influence that the shrill Elder twice essayed to speak in protest, but was prevented by the wizened Elder Meacham. When it seemed as if the aching, throbbing sweetness must surely bring denunciation, David changed the music to a slow mourning cadence. It was a wail of sorrow, a march to the grave, a benediction, a soft sound of farewell, floating through the room and dying away into the mid-day sun.