"What shall be his punishment—so foul, so wolfish?" Kaid asked of them all. A dozen voices answered, some one terrible thing, some another.

"Mercy!" moaned Achmet aghast. "Mercy, Saadat!" he cried to David.

David looked at him calmly. There was little mercy in his eyes as he answered: "Thy crimes sent to their death in the Nile those who never injured thee. Dost thou quarrel with justice? Compose thy soul, and I pray only the Effendina to give thee that seemly death thou didst deny thy victims." He bowed respectfully to Kaid.

Kaid frowned. "The ways of Egypt are the ways of Egypt, and not of the land once thine," he answered shortly. Then, under the spell of that influence which he had never yet been able to resist, he added to the slaves: "Take him aside. I will think upon it. But he shall die at sunrise ere the army goes. Shall not justice be the gift of Kaid for an example and a warning? Take him away a little. I will decide."

As Achmet and the slaves disappeared into a dark corner of the court- yard, Kaid rose to his feet, and, upon the hint, his guests, murmuring praises of his justice and his mercy and his wisdom, slowly melted from the court-yard; but once outside they hastened to proclaim in the four quarters of Cairo how yet again the English Pasha had picked from the Tree of Life an apple of fortune.

The court-yard was now empty, save for the servants of the Prince, David and Mahommed, and two officers in whom David had advised Kaid to put trust. Presently one of these officers said: "There is another singer, and the last. Is it the Effendina's pleasure?"

Kaid made a gesture of assent, sat down, and took the stem of a narghileh between his lips. For a moment there was silence, and then, out upon the sweet, perfumed night, over which the stars hung brilliant and soft and near, a voice at first quietly, then fully, and palpitating with feeling, poured forth an Eastern love song:

"Take thou thy flight, O soul! Thou hast no more
The gladness of the morning! Ah, the perfumed roses
My love laid on my bosom as I slept!
How did he wake me with his lips upon mine eyes,
How did the singers carol—the singers of my soul
That nest among the thoughts of my beloved! . . .
All silent now, the choruses are gone,
The windows of my soul are closed; no more
Mine eyes look gladly out to see my lover come.
There is no more to do, no more to say:
Take flight, my soul, my love returns no more!"

At the first note Kaid started, and his eyes fastened upon the screen behind which sat the singer. Then, as the voice, in sweet anguish, filled the court-yard, entrancing them all, rose higher and higher, fell and died away, he got to his feet, and called out hoarsely: "Come—come forth!"

Slowly a graceful, veiled figure came from behind the great screen. He took a step forward.