"One cannot pay for such things," she said to him, meeting his look firmly and steeling herself to thank him. Though deeply grateful, it was a trial beyond telling to be obliged to owe the debt of a life to any one, and in particular to a man of the sort to whom material gifts could not be given.
"Such things are paid for just by accepting them," he answered quickly, trying to feel that he had never held her in his arms, as she evidently desired him to feel. He had intuition, if not enough of it, for the regions where the mind of Fleda Druse dwelt.
"I couldn't very well decline, could I?" she rejoined, quick humour shooting into her eyes. "I was helpless. I never fainted before in my life."
"I am sure you will never faint again," he remarked. "We only do such things when we are very young."
She was about to reply, but paused reflectively. Her half-opened lips did not frame the words she had been impelled to speak.
Admiration was alive in his eyes. He had never seen this type of womanhood before—such energy and grace, so amply yet so lithely framed; such darkness and fairness in one living composition; such individuality, yet such intimate simplicity. Her hair was a very light brown, sweeping over a broad, low forehead, and lying, as though with a sense of modesty, on the tips of the ears, veiling them slightly. The forehead was classic in its intellectual fulness; but the skin was so fresh, even when pale as now, and with such an underglow of vitality, that the woman in her, sex and the possibilities of sex, cast a glamour over the intellect and temperament showing in every line of her contour. In contrast to the light brown of the hair was the very dark brown of the eyes and the still darker brown of the eyelashes. The face shone, the eyes burned, and the piquancy of the contrast between the soft illuminating whiteness of the skin and the flame in the eyes had fascinated many more than Ingolby.
Her figure was straight yet supple, somewhat fuller than is modern beauty, with hints of Juno-like stateliness to come; and the curves of her bust, the long lines of her limbs, were not obscured by her absolutely plain gown of soft, light-brown linen. She was tall, but not too commanding, and, as her hand was raised to fasten back a wisp of hair, there was the motion of as small a wrist and as tapering a bare arm as ever made prisoner of a man's neck.
Impulse was written in every feature, in the passionate eagerness of her body; yet the line from the forehead to the chin, and the firm shapeliness of the chin itself, gave promise of great strength of will. From the glory of the crown of hair to the curve of the high instep of a slim foot it was altogether a personality which hinted at history—at tragedy, maybe.
"She'll have a history," Madame Bulteel, who now stood beside the girl, herself a figure out of a picture by Velasquez, had said of her sadly; for she saw in Fleda's rare qualities, in her strange beauty, happenings which had nothing to do with the life she was living. So this duenna of Gabriel Druse's household, this aristocratic, silent woman was ever on the watch for some sudden revelation of a being which had not found itself, and which must find itself through perils and convulsions.
That was why, to-day, she had hesitated to leave Fleda alone and come to Carillon, to be at the bedside of a dying, friendless woman whom by chance she had come to know. In the street she had heard of what was happening on the river, and had come in time to receive Fleda from the arms of her rescuer.