This happened on the day before the collision between the railway-men and the river-drivers, and the old priest already knew what trouble was afoot.
There was little Felix Marchand did which was hidden from him. He made his way to Ingolby to warn him.
As Ingolby now walked in the woods towards Gabriel Druse's house, he recalled one striking phrase used by the aged priest in reference to the closing of the railway offices.
"When you strike your camp, put out the fires," was the aphorism.
Ingolby stopped humming to himself as the words came to his memory again.
Bending his head in thought for a moment, he stood still, cogitating.
"The dear old fellow was right," he said presently aloud with uplifted head. "I struck camp, but I didn't put out the fires. There's a lot of that in life."
That is what had happened also to Gabriel Druse and his daughter. They had struck camp, but had not put out the camp-fires. That which had been done by the River Starzke came again in its appointed time. The untended, unguarded fire may spread devastation and ruin, following with angry freedom the marching feet of those who builded it.
"Yes, you've got to put out your fires when you quit the bivouac," continued Ingolby aloud, as he gazed ahead of him through the opening greenery, beyond which lay Gabriel Druse's home. Where he was the woods were thick, and here and there on either side it was almost impenetrable. Few people ever came through this wood. It belonged in greater part to Gabriel Druse, and in lesser part to the Hudson's Bay Company and the Government; and as the land was not valuable till it was cleared, and there was plenty of prairie land to be had, from which neither stick nor stump must be removed, these woods were very lonely. Occasionally a trapper or a sportsman wandered through them, but just here where Ingolby was none ever loitered. It was too thick for game, there was no roadway leading anywhere, but only an overgrown path, used in the old days by Indians. It was this path which Ingolby trod with eager steps.
Presently, as he stood still at sight of a ground-hog making for its hiding-place, he saw a shadow fall across the light breaking through the trees some distance in front of him. It was Fleda. She had not seen him, and she came hurrying towards where he was with head bent, a brightly-ribboned hat swinging in her fingers. She seemed part of the woods, its wild simplicity, its depth, its colour-already Autumn was crimsoning the leaves, touching them with amber tints, making the woodland warm and kind. She wore a dress of golden brown which matched her hair, and at her throat was a black velvet ribbon with a brooch of antique paste which flashed the light like diamonds, but more softly.
Suddenly, as she came on, she stopped and raised her head in a listening attitude, her eyes opening wide as if listening, too—it was as though she heard with them as well; alive to catch sounds which evaded capture. She was like some creature of an ancient wood with its own secret and immemorial history which the world could never know. There was that in her face which did not belong to civilization or to that fighting world of which Ingolby was so eager a factor. All the generations of the wood and road, the combe and the river, the quarry and the secluded boscage were in her look. There was that about her which was at once elusive and primevally real.