“Ah, yes, dear Lord, yes—a Napoleon—of—of the Empire. France can only cherish an idea when a man is behind it, when a man lives it, embodies it. She must have heroes. She is a poet, a poet—and an actress.”
“So said the Man, Napoleon,” cried Valmond, getting to his feet. “He said that to Barras, to Remusat, to Josephine, to Lucien, to—to another, when France had for the moment lost her idea—and her man.”
The avocat trembled to his feet to meet Valmond, who stood up as he spoke, his face shining with enthusiasm, a hand raised in broad dramatic gesture, a dignity come upon him, in contrast to the figure which had disported itself through the village during the past week. The avocat had found a man after his own heart. He knew that Valmond understood whereof he spoke. It was as if an artist saw a young genius use a brush on canvas for a moment; a swordsman watch an unknown master of the sword. It was not so much the immediate act, as the divination, the rapport, the spirit behind the act, which could only come from the soul of the real thing.
“I thank you, monsieur; I thank you with all my heart,” the avocat said. “It is the true word you have spoken.”
Here a lad came running to fetch the Little Chemist, and Medallion and he departed, but not without the auctioneer having pressed Valmond’s hand warmly, for he was quick of emotion, and, like the avocat, he recognised, as he thought, the true word behind the dramatic trappings.
Monsieur Garon and Valmond talked on, eager, responsive, Valmond lost in the discussion of Napoleon, Garon in the man before him. By pregnant allusions, by a map drawn hastily on the ground here, and an explosion of secret history there, did Valmond win to a sort of worship this fine little Napoleonic scholar, who had devoured every book on his hero which had come in his way since boyhood. Student as he was, he had met a man whose knowledge of the Napoleonic life was vastly more intricate, searching and vital than his own. He, Monsieur Garon, spoke as from a book or out of a library, but this man as from the Invalides, or, since that is anachronistic, from the lonely rock of St. Helena. A private saying of Napoleon’s, a word from his letters and biography, a phrase out of his speeches to his soldiers, sent tears to the avocat’s eyes, and for a moment transformed Valmond.
While they talked, the Cure and the young Seigneur listened, and there passed into their minds the same wonder that had perplexed Elise Malboir; so that they were troubled, as was she, each after his own manner and temperament. Their reasoning, their feelings were different, but they were coming to the point the girl had reached when she cried into the darkness of the night, “Napoleon—Napoleon!”
They sat forgetful of the passing of time, the Cure preening with pleasure because of Valmond’s remarks upon the Church when quoting the First Napoleon’s praise of religion.
Suddenly a carriage came dashing up the hill, with four horses and a postilion. The avocat was in the house searching for a book. De la Riviere, seeing the carriage first, got to his feet with instant excitement, and the others turned to look. As it neared the house, the Cure took off his baretta, and smiled expectantly, a little red spot burning on both cheeks. These deepened as the carriage stopped, and a lady, a little lady like a golden flower, with sunny eyes and face—how did she keep so fresh in their dusty roads?—stood up impulsively, and before any one could reach the gate was entering herself, her blue eyes swimming with the warmth of a kind heart—or a warm temperament, which may exist without a kind heart.
Was it the heart, or the temperament, or both, that sent her forward with hands outstretched, saying: “Ah, my dear, dear Cure, how glad I am to see you once again! It is two years too long, dear Cure.”