“‘Oh, traveller, see where the red sparks rise,’
(Fly away, my heart, fly away!)
But dark is the mist in the traveller’s eyes.
(Fly away, my heart, fly away!)
‘Oh, traveller, see far down the gorge,
The crimson light from my father’s forge.
(Fly away, my heart, fly away!)
“‘Oh, traveller, hear how the anvils ring.’
(Fly away, my heart, fly away!)
But the traveller heard, ah, never a thing.
(Fly away, my heart, fly away!)
‘Oh, traveller, loud do the bellows roar,
And my father waits by the smithy door.
(Fly away, my heart, fly away!)
“‘Oh, traveller, see you thy true love’s grace.’
(Fly away, my heart, fly away!)
And now there is joy in the traveller’s face.
(Fly away, my heart, fly away!)
Oh, wild does he ride through the rain and mire,
To greet his love by the smithy fire.
(Fly away, my heart, fly away!)”

In accompaniment, some one was beating softly on the anvil, and the bellows were blowing rhythmically.

He lingered for a moment, loath to interrupt the song, and then softly opened the upper half of the door, for it was divided horizontally, and leaned over the lower part.

Beside the bellows, her sleeves rolled up, her glowing face cowled in her black hair, comely and strong, stood Elise Malboir, pushing a rod of steel into the sputtering coals. Over the anvil, with a small bar caught in a pair of tongs, hovered Madelinette Lajeunesse, beating, almost tenderly, the red-hot point of the steel. The sound of the iron hammer on the malleable metal was like muffled silver, and the sparks flew out like jocund fireflies. She was making two hooks for her kitchen wall, for she was clever at the forge, and could shoe a horse if she were let to do so. She was but half-turned to Valmond, but he caught the pure outlines of her face and neck, her extreme delicacy of expression, which had a pathetic, subtle refinement, in acute contrast to the quick, abundant health, the warm energy, the half defiant look of Elise. It was a picture of labour and life.

A dozen thoughts ran through Valmond’s mind. He was responsible, to an extent, for the happiness of these two young creatures. He had promised to make a songstress of the one, to send her to Paris; had roused in her wild, ambitious hopes of fame and fortune—dreams that, in any case, could be little like the real thing: fanciful visions of conquest and golden living, where never the breath of her hawthorn and wild violets entered; only sickly perfumes, as from an odalisque’s fan, amid the enervating splendour of voluptuous boudoirs—for she had read of these things.

Valmond had, in a vague, graceless sort of way, worked upon the quick emotions of Elise. Every little touch of courtesy had been returned to him in half-shy, half-ardent glances; in flushes, which the kiss he had given her the first day of their meeting had made the signs of an intermittent fever; in modest yet alluring waylayings; in restless nights, in half-tuneful, half-silent days; in a sweet sort of petulance. She had kept in mind everything he had said to her; the playfully emotional pressure of her hand, his eloquent talks with her uncle, the old sergeant’s rhapsodies on his greatness; and there was no place in the room where he had sat or stood, which she had not made sacred—she, the mad cap, who had lovers by the dozen. Importuned by the Cure and her mother to marry, she had threatened, if they worried her further, to wed fat Duclosse, the mealman, who had courted her in a ponderous way for at least three years. The fire that corrodes, when it does not make glorious without and within, was in her veins, and when Valmond should call she was ready to come. She could not, at first, see that if he were, in truth, a Napoleon, she was not for him. Seized of that wilful, daring spirit called Love, her sight was bounded by the little field where she strayed.

Elise’s arm paused upon the lever of the bellows, when she saw Valmond watching them from the door. He took off his hat to them, as Madelinette turned towards him, the hammer pausing in the stroke.

“Ah, monseigneur!” she said impulsively, and then paused, confused. Elise did not move, but stood looking at him, her eyes all flame, her cheeks going a little pale, and flushing again. With a quick motion she pushed her hair back, and as he stepped inside and closed the door behind him, she blew the bellows, as if to give a brighter light to the place. The fire flared up, but there were corners in deep shadow. Valmond doffed his hat again and said ceremoniously: “Mademoiselle Madelinette, Mademoiselle Elise, pray do not stop your work. Let me sit here and watch you.”

Taking from his pocket a cigarette, he came over to the forge and was about to light it with the red steel from the fire, when Elise, snatching up a tiny piece of wood, thrust it in the coals, and, drawing it out, held it towards the cigarette, saying:

“Ah, no, your Excellency—this!”