In summer the little fields were broken with wooden ploughs, followed by the limb of a tree for harrow, and the sickle, the scythe, and the flail to do their office in due course; and if the man were well-to-do, he swung the cradle in his rye and wheat, rejoicing in the sweep of the knife and the fulness of the swathe. Then, too, there was the driving of the rivers, when the young men ran the logs from the backwoods to the great mills near and far: red-shirted, sashed, knee-booted, with rings in their ears, and wide hats on their heads, and a song in their mouths, breaking a jamb, or steering a crib, or raft, down the rapids. And the voyageur also, who brought furs out of the North down the great lakes, came home again to Pontiac, singing in his patois:
"Nous avons passe le bois,
Nous somm's a la rive!"
Or, as he went forth:
"Le dieu du jour s'avance;
Amis, les vents sont doux;
Berces par l'esperance,
Partons, embarquons-noun.
A-a-a-a-a-a-a-a!"
And, as we know, it was summer when Valmond came to Pontiac. The river- drivers were just beginning to return, and by and by the flax swingeing would begin in the little secluded valley by the river; and one would see, near and far, the bright sickle flashing across the gold and green area; and all the pleasant furniture of summer set forth in pride, by the Mother of the House whom we call Nature.
Valmond was alive to it all, almost too alive, for at first the flamboyancy of his spirit touched him off with melodrama. Yet, on the whole, he seemed at first more natural than involved or obscure. His love for children was real, his politeness to women spontaneous. He was seen to carry the load of old Madame Degardy up the hill, and place it at her own door. He also had offered her a pinch of snuff, which she acknowledged by gravely offering a pinch of her own from a dirty twist of brown paper.
One day he sprang over a fence, took from the hands of coquettish Elise Malboir an axe, and split the knot which she in vain had tried to break. Not satisfied with this, he piled full of wood the stone oven outside the house, and carried water for her from the spring. This came from natural kindness, for he did not see the tempting look she gave him, nor the invitation in her eye, as he turned to leave her. He merely asked her name. But after he had gone, as though he had forgotten, or remembered, something, he leaped the fence again, came up to her with an air of half- abstraction, half-courtesy, took both her hands in his, and, before she could recover herself, kissed her on the cheeks in a paternal sort of way, saying, "Adieu, adieu, my child!" and left her.
The act had condescension in it; yet, too, something unconsciously simple and primitive. Parpon the dwarf, who that moment perched himself on the fence, could not decide which Valmond was just then—dauphin or fool. Valmond did not see the little man, but swung away down the dusty road, reciting to himself couplets from 'Le Vieux Drapeau':
"Oh, come, my flag, come, hope of mine,
And thou shalt dry these fruitless tears;"
and apparently, without any connection, he passed complacently to an entirely different song: