As he did so, the man from Slow Down Ranch cantering towards Tralee caught his eye. “Louise-Orlando,” he said musingly; then, with a sudden flick of the reins on his horse’s back, he added abruptly, almost sternly, “By the great horn spoons, no!”
Thus when his prophecy took concrete form, he revolted from it. A grave look came into his face.
CHAPTER IV. TWO SIDES TO A BARGAIN
As the Young Doctor had said, Orlando Guise did not look like a real, simon-pure “cowpuncher.” He had the appearance of being dressed for the part, like an actor who has never mounted a cayuse, in a Wild West play. Yet on this particular day,—when the whole prairie country was alive with light, thrilling with elixir from the bottle of old Eden’s vintage, and as comfortable as a garden where upon a red wall the peach-vines cling—he seemed far more than usual the close-fitting, soil-touched son of the prairie. His wide felt hat, turned up on one side like a trooper’s, was well back on his head; his pinkish brown face was freely taking the sun, and his clear, light-blue eyes gazed ahead unblinking in the strong light. His forehead was unwrinkled—a rare thing in that prairie country where the dry air corrugates the skin; his light-brown hair curled loosely on the brow, graduating back to closer, crisper curls which in their thickness made a kind of furry cap. It was like the coat of a French poodle, so glossy and so companionable was it to the head. A bright handkerchief of scarlet was tied loosely around his throat, which was even a little more bare than was the average ranchman’s; and his thick, much-pocketed flannel shirt, worn in place of a waistcoat and coat, was of a shade of red which contrasted and yet harmonized with the scarlet of the neckerchief. He did not wear the sheepskin leggings so common among the ranchmen of the West, but a pair of yellowish corduory riding-breeches, with boots that laced from the ankle to the knee. These boots had that touch of the theatrical which made him more fantastic than original in the eyes of his fellow-citizens.
Also he wore a ring with a star-sapphire, which made him incongruous, showy and foppish, and that was a thing not easy of forgiveness in the West. Certainly the West would not have tolerated him as far as it did, had it not been for three things: the extraordinary good nature which made him giggle; the fact that on more than one occasion he had given conclusive evidence that he was brave; and the knowledge that he was at least well-to-do. In a kind of vague way people had come to realize that his giggles belonged to a nature without guile and recklessly frank.
“He beats the band,” Jonas Billings, the livery-stable keeper, had said of him; while Burlingame, the pernicious lawyer of shady character, had remarked that he had the name of an impostor and the frame of a fop; but he wasn’t sure, as a lawyer, that he’d seen all the papers in the case—which was tantamount to saying that the Orlando nut needed some cracking.
It was generally agreed that his name was ridiculous, romantic and unreasonable. It seemed to challenge public opinion. Most names in the West were without any picturesqueness or colour; they were commonplace and almost geometric in their form, more like numbers to represent people than things of character in themselves. There were names semi-scriptural and semi-foreign in Askatoon, but no name like Orlando Guise had ever come that way before, and nothing like the man himself had ever ridden the Askatoon trails. One thing had to be said, however; he rode the trail like a broncho-buster, and he sat his horse as though he had been born in the saddle.—On this particular day, in spite of his garish “get-up,” he seemed to belong to the life in which he was lightheartedly whistling a solo from one of Meyerbeer’s operas. Meyerbeer was certainly incongruous to the prairie, but it and the whistling were in keeping with the man himself.
Over on Slow Down Ranch there lived a curious old lady who wore a bonnet of Sweet Sixteen of the time of the Crimea, and with a sense of colour which would wreck the reputation of a kaleidoscope. She it was who had taught her son Orlando the tunefulness of Meyerbeer and Balfe and Offenbach, and the operatic jingles of that type of composer. Orlando Guise had come by his outward showiness naturally. Yet he was not like his mother, save in this particular. His mother was flighty and had no sense, while he, behind the gaiety of his wardrobe and his giggles, had very much sense of a quite original kind. Even as he whistled Meyerbeer, riding towards Tralee, his eyes had a look of one who was trying to see into things; and his lips, when the whistling ceased, had a cheerful pucker which seemed to show that he had seen what he wanted.
“Wonder if I’ll get a glimpse of the so-called Mrs. Mazarine,” he said aloud. “Bad enough to marry a back-timer, but to marry Mazarine—they don’t say she’s blind, either! Money—what won’t we do for money, Mary? But if she’s as young as they say, she could have waited a bit for the oof-bird to fly her way. Lots of men have money as well as looks. Anyhow, I’m ready to take his cattle off his hands on a fair, square deal, and if his girl-missis is what they say, I wouldn’t mind—”