“Fool—I’ll make you laugh on the other side of your mouth!” the Master of Tralee said to himself; and then he motioned to where a bunch of a hundred or so cattle were grazing in a little dip of the country between them and Askatoon. “I’ll get my buckboard. It’s all hitched up and ready, and we can get down and see them right now,” he said aloud. “Won’t you find it rough going on the buckboard? Better ride,” remarked Orlando Guise.
“I don’t ever notice rough going,” grunted the old man. “Some people ride horses to show themselves off; I ride a buckboard ‘cause it suits me.”
Orlando Guise chirruped. “Say, we mustn’t get scrapping,” he said gaily. “We’ve got to make a bargain.”
In a few moments they were sweeping across the prairie, and sure enough the buckboard bumped, tumbled and plunged into the holes of the gophers and coyotes, but the old man sat the seat with the tenacity of a gorilla clinging to the branch of a tree.
In about three-quarters of an hour the two returned to Tralee, and in front of the house the final bargaining took place. There was a difference of five hundred dollars between them, and the old man fought stubbornly for it; and though Orlando giggled, it was clear he was no fool at a bargain, and that he had many resources. At last he threw doubt upon the pedigree of a bull. With a snarl Mazarine strode into the house. He had that pedigree, and it was indisputable. He would show the young swaggerer that he could not be caught anywhere in this game.
As Joel Mazarine entered the doorway of the house Orlando giggled again, because he had two or three other useful traps ready, and this was really like baiting a bull. Every thrust made this bull more angry; and Orlando knew that if he became angry enough he could bring things to a head with a device by which the old man would be forced to yield; for he did not want to buy, as much as Mazarine wished to sell.
The device, however, was never used, and Orlando ceased giggling suddenly, for chancing to glance up he saw a face at a window, pale, exquisite, delicate, with eyes that stared and stared at him as though he were a creature from some other world.
Such a look he had never seen in anybody’s eyes; such a look Louise Mazarine had never given in her life before. Something had drawn her out of her bed in spite of herself—a voice which was not that of old Joel Mazarine, but a new, fresh, vibrant voice which broke into little spells of inconsequent laughter. She loved inconsequent laughter, and never heard it at Tralee. She had crept from her bed and to the window, and before he saw her, she had watched him with a look which slowly became an awakening: as though curtains had been drawn aside revealing a new, strange, ecstatic world.
Louise Mazarine had seen something she had never seen before, because a feeling had been born in her which she had never felt. She had never fully known what sex was, or in any real sense what man meant. This romantic, picturesque, buoyant figure of youth struck her as the rock was struck by Moses; and for the first time in all her days she was wholly alive. Also, for the first time in his life, Orlando Guise felt a wonder which in spite of the hereditary romance in him had never touched him before. Like Ferdinand and Miranda in The Tempest, “they changed eyes.”
A heavy step was heard coming through the hallway, and at once the exquisite, staring face at the window vanished-while Orlando Guise turned his back upon the open doorway and walked a few steps towards the gate in an effort to recover himself. When he turned again to meet Mazarine, who had a paper in his hand, there was a flush on his cheek and a new light in his eye. The old man did not notice that, however, for his avaricious soul was fixed upon the paper in his hand. He thrust it before Orlando’s eyes. “What you got to say to that, Mister?” he demanded.