As he looked now into the sunset, he was thinking of the little gray mare, with the legs like the wrists of a lady and the soft, bright, wild eye, which had fought and fought to resist subjection; but which, overpowered by the stronger will of man, had yielded like a lady, and had been ridden away to Slow Down Ranch, its bucking over for ever, captive and subdued.
Orlando was picturing the little gray mare with Louise on its back. He had no right to think of Louise; yet there was never an hour in which he did not think of her. And Louise had no right to think of Orlando; yet, sleeping and waking, he was with her. Their homes were four miles apart, although, in one sense, they were a million miles apart by law and the convention which shuts a woman off from the love of men other than her husband; and yet in thought they were as near together always as though they had lain in the same cradle and grown up under the same rooftree.
There was something about the gray pony, with the look of a captive in its eye, a wildness in subjection, like the girl at Tralee—the girl suddenly come to be woman, with her free soul born into understanding, yet who was as much a captive as though in prison, and guarded by a warder with a long beard, a carnivorous head, and boots greased with tallow.
Since they had parted, the day after Li Choo had averted a domestic “scene” or tragedy, the search had gone on by the Mounted Police-“the Riders of the Plains”—for the men who had attempted to rob Mazarine, and to put Orlando out of action by a bullet. Suspicion had been directed against the McMahons, but Joel Mazarine had declared that it was not the McMahons who had attacked him, although they were masked. There was nothing strange in that, because, as the Inspector of the Riders said “That lot is too fly to do the job themselves; you bet they paid others to do it.”
Orlando had no wish to see the criminals caught or punished. Somehow, secretly, he looked upon the assault and his wound as a blessing. It had brought him near to his other self, his mate in the scheme of things. There was something almost pagan and primitive, something near to the very beginning of things in what these two felt for each other. It was as though they really belonged to a world of lovers that “lived before the god of Love was born.”
As Orlando sat watching the sunset, Louise’s last words to him, “Oh, Orlando!” kept ringing in his ears. He thought of what had happened that very morning before he started for the hills. Soon after daybreak, Li Choo the Chinaman had come slip-slopping to him at Slow Down Ranch, and had said to him without any preliminaries, or any reason for his coming:
“I bling Mlissy Mazaline what you like. She cly. What you want me do, I do. That Mazaline, gloddam! I gloddam Mazaline!”
Orlando had no desire for intrigue, but Li Choo stood there waiting, and the devotion the Chinaman had shown made him tear a piece of paper from his pocket-book and write on it the one word “Always.” He then folded the paper up until it was no bigger than a waistcoat button, and gave it to Li Choo. Also, he offered a five-dollar bill, which Li Choo refused to take. When he persisted, the Chinaman opened his loose blue jacket and showed a ten-dollar gold-piece on a string around his neck.
“Mlissy Mazaline glive me that; it all plenty me,” he said. “You want me come, I come. What you say do, I do. I say gloddam Mazaline!”
That scene came to Orlando’s mind now, and it agitated him as the incident itself had not stirred him when it happened. The broncho he was riding, as though the disturbance in Orlando’s breast had passed into its own wilful body, suddenly became restless to be off, and as Orlando gave no encouragement, showed signs of bucking.