The Graces and nimphs testify to Adonis how pleased they are to see him received into the number of the demi-gods: the hunters pay their homage to him, and the whole concludes by a general country-dance.

The Coquette Punished.

The decoration represents a delicious garden, in which there are several compartments, separated by canals and jet-d’eaux. This scenery should exhibit the prospect of at once a pleasure-garden, and a fruit-one.

In the bottom of this perspective, there appear several gardeners busied, some in pruning the hedges, others in sowing and planting: more towards the front are seen, some women at work, tying up the flowers, or cleaning them from pernicious leaves; others setting roots in vases. All this forms the scenical picture at the drawing up the curtain.

A simphony mixed with the most rural instruments of music, begins with soft and soothing airs.

One of the female gardeners, more showishly dressed than the others, and who is employed upon some necessary task about the flower-vases, seems however more attentive to the admiring the flowers, than to do her work: and as she is standing near a canal, she is, when she imagines none are taking notice of her, looking at her figure in the watery mirror, admiring herself, and adjusting her dress. Though she does all this by stealth, her companions remark her coquettry, make signs to each other, and point her out to the gardeners, who join the laugh at her, without the coquet’s perceiving it, who is too much taken up with herself.

The simphony should express by the sounds, as nearly as possible, the mockery and bursts of laughter from the rest of the gardeners.

The coquet is sadly tempted to gather some of the flowers for her own use, but dares not. In the moment that she is expressing the greatest mind for it, enters a gardener, who is not one of those employed at work, and who makes up to her, shows her a fine nosegay, and signifies to her that he is come on purpose to offer it her. The coquet immediately leaves off her work; and this pas-de-deux begins by all the little grimaces and false coyness that the coquette opposes to her acceptance of the nosegay, but which at the same time only the more betray the mind she has for it. The gardener keeps pressing her to receive it. Her companions,

curious to see how this will end, advance little by little towards them: the gardeners follow them; and all surrounding the coquette and her swain, form a dance, in which the men seem to excite the lover not to take a denial, and the women want to engage the coquette to receive the nosegay; but all this, with a bantering air: at length the coquette accepts it, sticks some of the flowers in her hair, and the rest in her bosom. Her companions and the gardeners, shew by their signs, that they were very sure she would take the nosegay and return to their, work.