The objection that Athenian pottery is fragile is easily disposed of. Actual handling of the vases will show that they are anything but fragile, in fact that they are remarkably strong. All those portions which would get special wear, such as handles and rims, are almost always stoutly made, more so than much of the china and earthenware and glass we use today. Occasionally, of course, we get a very thin and delicate example; and that would have to be handled with special care.

Then, as regards the question of wear. Terracotta is, as a matter of fact, one of the most indestructible materials we have, and especially so when glazed. Glazed earthenware, consequently, even though in constant use shows little trace of wear. What little we should expect, a close inspection of Athenian vases will reveal. The black glaze, even when perfectly preserved on the exterior, is much worn on the interior of stamnoi or kraters (cf. fig. [57]), where the liquid came in constant contact with the glaze, and the unglazed interiors of amphorai and hydriai are certainly not perfectly fresh and unused looking. It is also noteworthy that finely and poorly decorated vases are in the same condition in this respect. A comparison with the Corean pottery of the Korai period, 935-1392 A.D.,[55] which is known to have been made to serve merely as tomb furniture, is helpful. The fresh and clean insides of these vases offer a very different appearance from that of the discolored interiors of Greek amphorai and hydriai—a clear proof that the Athenian ware did not serve the same unutilitarian purpose as the Corean.

Fig. 57. Inside of krater showing extensive wear

Met. Mus. Acc. No. 07.286.74

Lastly, regarding the argument about riveted vases, it is surely natural now and then, instead of throwing away a broken pot, to have it put together and make the best of it in its mended state. We do the same thing nowadays. At all events, the vase could still have been used to contain dry materials. Such Athenian vases with ancient rivet marks are in any case infrequent, and do not compare in number with the broken vases which have not been mended.

Such considerations should once for all explode the theory that Athenian vases were not actually used; so that we can think of them, in the way that appeals to our imagination, as serving in the daily life of the Athenians and as adding to the enjoyment of that life, both by their beauty and by their usefulness.


II. REPRESENTATIONS OF ANCIENT POTTERS