Annali dell’Instituto, 1876, pl. DE.
Fig. 66. Athena and Victories crowning potters at work
Annali dell’Instituto, 1876, pl. DE
Athena and two Victories crowning potters at work. To the left is a potter sitting on a low stool and engaged in decorating a volute krater; he is holding a brush in his closed fist in Japanese fashion, and is looking in surprise at the Nike who is crowning him; by his side are two paint pots. In front of him another workman, comfortably seated on a chair, is busily painting a kantharos which he holds tipped on his lap. He also holds the brush in his fist downwards. Another kantharos and an oinochoë stand on the floor, awaiting their turn to be decorated; on a low stand close by are two paint pots, one with its lid tipped against the side. The artist is completely absorbed in his work and has not yet discovered Athena, the patron of arts and crafts, approaching him with a wreath. Behind Athena a third workman is seated on a low stool, decorating a bell krater with a palmette design. He tips up the vase with one hand, holds the brush firmly in his fist, and has his paint pot within easy reach on the floor. A Nike is about to crown him with a wreath; but he, too, is entirely engrossed in his work and quite unconscious of the honor to be conferred on him. Completing the scene on the right is a girl on a low platform painting the handle of a large volute krater. The figure is of special interest today, for it shows that there were women potters then as now. Above her on the wall are suspended a kantharos and a lekythos. The whole scene is of great importance as the most representative we possess of ancient vase painters at work.
2. Red-figured kylix in the Museum of Fine Arts, Boston.
Hartwig, Jahrbuch des Instituts, XIV, 1899, pl. 4.
Fig. 67. Youth decorating kylix
Hartwig, Jahrbuch des Instituts, 1899, pl. IV