Now, Gilda had been kept in complete ignorance of her father's name and profession; and to-night, after greeting him with her usual joyful embraces, she begged of him to reveal his true identity, being weary of the mystery that so constantly surrounded her.
But Rigoletto firmly refused her plea, gently bidding her to love him only and ask no questions; and then he turned to Giovanna, sternly demanding whether she guarded her charge with the strictness he had commanded. Gilda trembled at this question, remembering the gallant whom she met each day at church, and whose admiring glances had aroused love in her heart; but Giovanna, less fearful, boldly answered her master's question, and assured him that he had no cause for alarm.
Then Rigoletto bade his daughter a loving farewell, and departed; for he never dared to remain long with her, for fear his absence from Court should be noticed.
No sooner had he gone than the young Duke of Mantua suddenly appeared in the courtyard, having at last discovered the abode of his new love, and determined to seek an interview with her that night; and rushing forward, he clasped Gilda in his arms, declaring that he loved her. Giovanna, having secretly received a purse of gold from the Duke upon his entrance, quietly departed into the house, and the pair were thus left alone in the courtyard.
Gilda was at first alarmed at finding herself alone with the stranger, whom she quickly recognised as the handsome cavalier whose ardent glances had thrilled her at her morning devotions; but, utterly unable to resist the passionate wooing of the Duke, she at length submitted willingly to his caresses, and admitted that she loved him in return. The cunning gallant described himself as a poor scholar, who would nevertheless make a humble home for her; and Gilda was filled with rapture at the thought that no barrier of rank would thus separate her from her lover.
Presently, approaching footsteps in the street beyond warded them that this sweet interview must end; and the Duke, fearful of discovery, bade the maiden a hasty, but passionate farewell, and quickly hurried away. Then Gilda, gazing lovingly after his retreating figure, reluctantly entered the house; but not before she had been seen by the newcomers, who were none other than Count Ceprano, Marullo, and their companion plotters, who, masked and cloaked, had come to carry out the plan of vengeance on Rigoletto which they had arranged the night before.
They were astonished at the beauty of the Jester's supposed mistress, but ere they had time for further comment on the matter, they were suddenly confronted by Rigoletto himself, who, being uneasy in his mind, had returned to take another look at his daughter's sanctuary.
Marullo, quickly seeing additional zest for their scheme in this unlooked-for interruption, gaily accosted the Jester, and making himself known, invited him to join in their enterprise; and to deceive the poor hunchback further he declared that they were about to carry off the wife of Count Ceprano, and take her to the Duke.
Rigoletto, thus imagining that his own secret treasure was not sought, quickly fell into the trap, for Ceprano's palace was situated on the opposite side of the street, a circumstance which gave credence to the story; and delighted to assist in bringing dishonour upon one of his most hated enemies, he readily agreed to join the ravishers.
Marullo then declared that since the others were all masked, Rigoletto must also have his face hidden; and seizing a scarf, he bound it so tightly over the Jester's eyes and ears, that he could neither see nor hear. He next made his victim hold the ladder they had brought against the wall of his own house, and then he and his companions, hardly able to restrain their mirth at the trick they were playing, climbed up to an open window above, and made their entry.