THE MASTERSINGERS OF NUREMBERG
(Die Meistersinger von Nürnberg)

After the decay of the knightly court poetry of the Minnesingers, whose pure and noble art had been inspired and encouraged by the age of chivalry in which they lived, the spontaneous love of song, natural to the character of the German people, was lost for a time in the gloom and ignorance of the dark Middle Ages; but, later on, when the Reformation had once more lighted the way to knowledge and culture, the beautiful art was revived by guilds of musical enthusiasts, known as The Mastersingers.

But the dramatic, chivalric conception of life, which had been the prevailing spirit of the Minnesingers of old, all of whom had been of noble birth and exercised their art in the courts of kings, never quite returned; for the Mastersingers, being but humble burghers and artisans, could not attain to such courtly grace of expression, and their art was naturally of a stiffer and more pedantic character. Yet they did excellent work, establishing schools and guilds of poetry and song in most of the principal towns of Germany; but by hedging themselves in by narrow rules and conventions, they left little margin for the soaring spirit of true genius, which ever chafes at petty restraints, and insists on freedom of fancy.

In Nuremberg, the Mastersingers attained to the greatest excellence of their class; and in the middle of the sixteenth century there flourished in this community, the simple-minded, large-hearted Hans Sachs, the truest poet of his time, whose broad views were in refreshing contrast to the dull and cramped conceptions of art held by most of the Mastersingers.

It was during the time when Hans Sachs was a leader amongst the celebrated Mastersingers of Nuremberg, that this story opens; and upon St. John's Eve in a certain year, he and his musical friends were called upon to undergo a new and exciting experience in the pursuit of their beloved art.

Veit Pogner, a goldsmith, and the wealthiest of the older Mastersingers, impelled by an enthusiastic love of art, had just offered the hand of his beautiful daughter, Eva, together with the inheritance of all his riches and worldly possessions, as a prize to the master musician who should gain the wreath of victory in the grand contest to be held on St. John's Day, in accordance with the usual custom.

Amongst the competing masters who felt most confident of success was Sixtus Beckmesser, the town clerk, who occupied the important office of marker in the society, an officer whose duty it was to mark on a slate the faults made against the established rules and regulations of the Guild. Beckmesser, though without talent, and no longer young, nor even possessed of any pleasing personal charms, was so conceited that he fancied none to be his equal in music and poetry; and in spite of the fact that Eva was to have power to refuse the prize-winner, should he prove distasteful to her, he yet felt assured of success, though the maiden had never shown signs of favour to him.

As a matter of fact, Eva had already fixed her affections upon a young knight, one Sir Walter von Stolzing, who, being descended from the old Minnesingers, whose glorious achievements he had read of and studied, and in whom the truly poetic, romantic, and knightly art was revived, had left his now decaying ancestral hall, in order to find kindred spirits amongst the celebrated Mastersingers of music-loving Nuremberg; and having once been brought into contact with the soaring, enthusiastic spirit of this noble youth, she could never again be contented with the pedantic methods of the burgher Mastersingers.

Walter, having business relations with old Pogner in connection with his poverty-stricken estate, had thus made acquaintance with the goldsmith's fair daughter; and the exquisite soul-inspiring beauty and pure, sweet nature of this maiden having quickly kindled a consuming passion in his impetuous, romantic heart, and knowing that his love was returned, he determined to enter the ranks of the competitors on St. John's Day, since none but a Mastersinger could aspire to her hand, and trusted that his great love would enable his song to gain the victor's wreath.