Corresponding, or corresponsive conjunctions, in what manner used
—named and exemplified in their several pairs
—nature of the terms standing in the relat. of
—the former of two, how parsed
—CHURCH. canon on the use of
—Or
—or, and nor
—nor, by poet. usage Crotchets, or brackets, how used
—confused and inaccurate teaching of WEBST. et al., concerning
Cum with an ablative, Lat., ("Dux CUM aliquibus," &c.,) the construc. imitated in Eng. —canon on do.
Curves, or marks of parenthesis —have been in use for centuries —the use of, not to be discarded —confused teaching of WEBST. et al., respecting do. —what used to distinguish —clause enclosed by, how to be uttered; pause of do. —Rules for the application of
Customary actions require to be expressed by indic. pres.
D.
D, name and plur. numb. —sounds of —written for a number
Dactyl, defined
Dactylic verse
—stress, on what syll. laid; what rhyme it generally forms
—is not very common; seldom pure and regular
—shown in its eight measures
—has been but little noticed by prosodists and grammarians
—misconceived and misrepresented Rev. D. BLAIR
Dare, construc. with infin. foll.
—Use of the form DARE for the third pers. sing.
Dash, the mark, explanation of —LOWTH et al. make no mention of —Rules for the application of —Dash, needless, how to be treated —between quotation and name of the author —applied to side-title —used to signify omission