[456] The idea of plurality is not "plurality of idea," any more than the idea of wickedness, or the idea of absurdity, is absurdity or wickedness of idea; yet, behold, how our grammarians copy the blunder, which Lowth (perhaps) first fell into, of putting the one phrase for the other! Even Professor Fowler, (as well as Murray, Kirkham, and others,) talks of having regard "to unity or plurality of idea!"—Fowler's E. Gram., 8vo. 1850, §513,—G. BROWN.
[457] In the Doctor's "New Edition, Revised and Corrected," the text stands thus: "The Present participle of THE ACTIVE VOICE has an active signification; as, James is building the house. In many of these, however, it has," &c. Here the first sentence is but an idle truism; and the phrase, "In many of these," for lack of an antecedent to these, is utter nonsense. What is in "the active voice," ought of course to be active in "signification;" but, in this author's present scheme of the verb, we find "the active voice," in direct violation of his own definition of it, ascribed not only to verbs and participles either neuter or intransitive, but also, as it would seem by this passage, to "many" that are passive!—G. BROWN.
[458] One objection to these passage is, that they are examples of the very construction which they describe as a fault. The first and second sentences ought to have been separated only by a semicolon. This would have made them "members" of one and the same sentence. Can it be supported that one "thought" is sufficient for two periods, or for what one chooses to point as such, but not for two members of the same period?—G. BROWN.
[459] (1.) "Accent is the tone with which one speaks. For, in speaking, the voice of every man is sometimes more grave in the sound, and at other times more acute or shrill."—Beattie's Moral Science, p. 25. "Accent is the tone of the voice with which a syllable is pronounced."—Dr. Adam's Latin and English Gram., p. 266.
(2.) "Accent in a peculiar stress of the voice on some syllable in a word to distinguish it from the others."—Gould's Adam's Lat. Gram., p. 243.
(3.) "The tone by which one syllable is distinguished from another is the accent; which is a greater stress and elevation of voice on that particular syllable."—Bicknell's Eng. Gram., Part II, p. 111.
(4.) "Quantity is the Length or Shortness of Syllables; and the Proportion, generally speaking, betwixt a long and [a] short Syllable, is two to one; as in Music, two Quavers to one Crotchet.—Accent is the rising and falling of the Voice, above or under its usual Tone, but an Art of which we have little Use, and know less, in the English Tongue; nor are we like to improve our Knowledge in this Particular, unless the Art of Delivery or Utterance were a little more study'd."—Brightland's Gram., p. 156.
(5.) "ACCENT, s. m. (inflexion de la voix.) Accent, tone, pronunciation."—Nouveau Dictionnaire Universel, 4to, Tome Premier, sous le mot Accent.
"ACCENT, subst. (tone or inflection of the voice.) Accent, ton ou inflexion de voix."—Same Work, Garner's New Universal Dictionary, 4to, under the word Accent.
(6.) "The word accent is derived from the Latin language and signifies the tone of the voice."—Parker and Fox's English Gram., Part III, p. 32.