OBS. 1.—The word prosody, (from the Greek—[Greek: pros], to, and [Greek: dæ], song,) is, with regard to its derivation, exactly equivalent to accent, or the Latin accentus, which is formed from ad, to, and cantus, song: both terms, perhaps, originally signifying a singing with, or sounding to, some instrument or voice. PROSODIA, as a Latin word, is defined by Littleton, "Pars Grammaticæ quæ docet accentus, h. e. rationem atollendi et depremendi syllabas, tum quantitatem carundem." And in English, "The art of ACCENTING, or the rule of pronouncing syllables truly, LONG or SHORT."—Litt. Dict., 4to. This is a little varied by Ainsworth thus: "The rule of ACCENTING, or pronouncing syllables truly, whether LONG or SHORT."—Ains. Dict., 4to. Accent, in English, belongs as much to prose as to poetry; but some deny that in Latin it belongs to either. There is also much difficulty about the import of the word; since some prosodists identify accent with tone; some take it for the inflections of voice; some call it the pitch of vocal sounds; and some, like the authors just cited, seem to confound it with quantity,—"LONG or SHORT." [459]
OBS. 2.—"Prosody," says a late writer, "strictly denotes only that musical tone or melody which accompanies speech. But the usage of modern grammarians justifies an extremely general application of the term."—Frost's Practical Grammar, p. 160. This remark is a note upon the following definition: "PROSODY is that part of grammar which treats of the structure of Poetical Composition."—Ibid. Agreeably to this definition, Frost's Prosody, with all the generality the author claims for it, embraces only a brief account of Versification, with a few remarks on "Poetical License." Of Pronunciation and the Figures of Speech, he takes no notice; and Punctuation, which some place with Orthography, and others distinguish as one of the chief parts of grammar, he exhibits as a portion of Syntax. Not more comprehensive is this part of grammar, as exhibited in the works of several other authors; but, by Lindley Murray, R. C. Smith, and some others, both Punctuation and Pronunciation are placed here; though no mention is made of the former in their subdivision of Prosody, which, they not very aptly say, "consists of two parts, Pronunciation and Versification." Dr. Bullions, no less deficient in method, begins with saying, "PROSODY consists of two parts; Elocution and Versification;" (Principles of E. Gram., p. 163;) and then absurdly proceeds to treat of it under the following six principal heads: viz., Elocution, Versification, Figures of Speech, Poetic License, Hints for Correct and Elegant Writing, and Composition.
OBS. 3.—If, in regard to the subjects which may be treated under the name of Prosody, "the usage of modern grammarians justifies an extremely general application of the term," such an application is certainly not less warranted by the usage of old authors. But, by the practice of neither, can it be easily determined how many and what things ought to be embraced under this head. Of the different kinds of verse, or "the structure of Poetical Compostion," some of the old prosodists took little or no notice; because they thought it their chief business, to treat of syllables, and determine the orthoëpy of words. The Prosody of Smetius, dated 1509, (my edition of which was published in Germany in 1691,) is in fact a pronouncing dictionary of the Latin language. After a brief abstract of the old rules of George Fabricius concerning quantity and accent, it exhibits, in alphabetic order, and with all their syllables marked, about twenty-eight thousand words, with a poetic line quoted against each, to prove the pronunciation just. The Prosody of John Genuensis, an other immense work, concluded by its author in 1286, improved by Badius in 1506, and printed at Lyons in 1514, is also mainly a Latin dictionary, with derivations and definitions as in other dictionaries. It is a folio volume of seven hundred and thirty closely-printed pages; six hundred of which are devoted to the vocabulary, the rest to orthography, accent, etymology, syntax, figures, points—almost everything but versification. Yet this vast sum of grammar has been entitled Prosody—"Prosodia seu Catholicon"—"Catholicon seu Universale Vocabularium ac Summa Grammatices."—See pp. 1 and 5.
CHAPTER I—PUNCTUATION.
Punctuation is the art of dividing literary composition, by points, or stops, for the purpose of showing more clearly the sense and relation of the words; and of noting the different pauses and inflections required in reading.
The following are the principal points, or marks; namely, the Comma [,],
the Semicolon [;], the Colon [:], the Period [.], the Dash [—], the
Eroteme, or Note of Interrogation [?], the Ecphoneme, or Note of
Exclamation [!], and the Curves, or Marks of Parenthesis, [()].
The Comma denotes the shortest pause; the Semicolon, a pause double that of the comma; the Colon, a pause double that of the semicolon; and the Period, or Full Stop, a pause double that of the colon. The pauses required by the other four, vary according to the structure of the sentence, and their place in it. They may be equal to any of the foregoing.
OBSERVATIONS.
OBS. 1.—The pauses that are made in the natural flow of speech, have, in reality, no definite and invariable proportions. Children are often told to pause at a comma while they might count one; at a semicolon, one, two; at a colon, one, two, three; at a period, one, two, three, four. This may be of some use, as teaching them to observe the necessary stops, that they may catch the sense; but the standard itself is variable, and so are the times which good sense gives to the points. As a final stop, the period is immeasurable; and so may be the pause after a question or an exclamation.
OBS. 2.—The first four points take their names from the parts of discourse, or of a sentence, which are distinguished by them. The Period, or circuit, is a complete round of words, often consisting of several clauses or members, and always bringing out full sense at the close. The Colon, or member, is the greatest division or limb of a period, and is the chief constructive part of a compound sentence. The Semicolon, half member, or half limb, is the greatest division of a colon, and is properly a smaller constructive part of a compound sentence. The Comma, or segment, is a small part of a clause cut off, and is properly the least constructive part of a compound sentence. A simple sentence is sometimes a whole period, sometimes a chief member, sometimes a half member, sometimes a segment, and sometimes perhaps even less. Hence it may require the period, the colon, the semicolon, the comma, or even no point, according to the manner in which it is used. A sentence whose relatives and adjuncts are all taken in a restrictive sense, may be considerably complex, and yet require no division by points; as,