XV. Apophasis, or Paralipsis,[482] is a figure in which the speaker or writer pretends to omit what at the same time he really mentions; as, "I Paul have written it with mine own hand, I will repay it; albeit I do not say to thee, how thou owest unto me even thine own self besides."—Philemon, 19.

XVI. Onomatopoeia is the use of a word, phrase, or sentence, the sound of which resembles, or intentionally imitates, the sound of the thing signified or spoken of: as, "Of a knocking at the door, Rat a tat tat."—J. W. GIBBS: in Fowler's Gram., p. 334. "Ding-dong! ding-dong! Merry, merry, go the bells, Ding-dong! ding-dong!"—H. K. White. "Bow'wow n. The loud bark of a dog. Booth."—Worcester's Dict. This is often written separately; as, "Bow wow."—Fowler's Gram., p. 334. The imitation is better with three sounds: "Bow wow wow." The following verses have been said to exhibit this figure:

"But when loud surges lash the sounding shore,
The hoarse rough verse should like the torrent roar."
Pope, on Crit., l. 369.

OBS.—The whole number of figures, which I have thought it needful to define and illustrate in this work, is only about thirty. These are the chief of what have sometimes been made a very long and minute catalogue. In the hands of some authors, Rhetoric is scarcely anything else than a detail of figures; the number of which, being made to include almost every possible form of expression, is, according to these authors, not less than two hundred and forty. Of their names, John Holmes gives, in his index, two hundred and fifty-three; and he has not all that might be quoted, though he has more than there are of the forms named, or the figures themselves. To find a learned name for every particular mode of expression, is not necessarily conducive to the right use of language. It is easy to see the inutility of such pedantry; and Butler has made it sufficiently ridiculous by this caricature:

"For all a rhetorician's rules
Teach nothing but to name his tools."—Hudibras, P. i, C. i, l. 90.

SECTION V.—EXAMPLES FOR PARSING.

PRAXIS XIV.—PROSODICAL.

In the Fourteenth Praxis, are exemplified the several Figures of Orthography, of Etymology, of Syntax, and of Rhetoric, which the parser may name and define; and by it the pupil may also be exercised in relation to the principles of Punctuation, Utterance, Analysis, or whatever else of Grammar, the examples contain.

LESSON I.—FIGURES OF ORTHOGRAPHY.

MIMESIS AND ARCHAISM.