Normandy: The Scenery & Romance of Its Ancient Towns, Part 2

by Gordon Home

Standing in the midst of the cobbled street, there suddenly appears right ahead a splendid thirteenth century gateway—the Tour de l'Horloge—that makes one of the richest pictures in Normandy. It is not always one can see the curious old tower thrown up by a blaze of gold in the west, but those who are fortunate enough to see such an effect may get a small suggestion of the scene from the illustration given here. The little painted figure of the Virgin and Child stands in a niche just over the arch, and by it appears the prayer "Marie protege la ville!"

One of the charms of Vire is its cleanliness, for I can recall no unpleasant smells having interfered with the pleasure of exploring the old streets. There is a great market on the northern side of the town, open and breezy. It slopes clear away without any intervening buildings to a great expanse of green wooded country, suggestive of some of the views that lie all around one at Avranches. The dark old church of Notre Dame dates mainly from the twelfth century. Houses and small shops are built up against it between the buttresses in a familiar, almost confidential manner, and on the south side, the row of gargoyles have an almost humorous appearance. The drips upon the pavement and shops below were evidently a nuisance, and rain water-spouts, with plain pipes leading diagonally from them, have been attached to each grotesque head, making it seem that the grinning monsters have developed a great and unquenchable thirst. Inside, the church is dark and impressive. There are double rows of pillars in the aisles, and a huge crucifix hangs beneath the tower, thrown up darkly against the chancel, which is much painted and gilded. The remains of the great castle consist of nothing more than part of the tall keep, built eight hundred years ago, and fortunately not entirely destroyed when the rest of the castle came down by the order of Cardinal Richelieu. An exploration of the quaint streets of Vire will reveal two or three ancient gateways, many gabled houses, some of which are timber-framed visually, and most of them are the same beneath their skins of plaster. The houses in one of the streets are connected with the road by a series of wooden bridges across the river, which there forms one of the many pictures to be found in Vire.

Mortain is separated from Vire by fifteen miles of exceedingly hilly country, and those who imagine that all the roads in Normandy are the flat and poplar bordered ones that are so often encountered, should travel along this wonderful switch-back. As far as Sourdeval there seems scarcely a yard of level ground—it is either a sudden ascent or a breakneck rush into a trough-like depression. You pass copices of firs and beautiful woods, although in saying beautiful it is in a limited sense, for one seldom finds the really rich woodlands that are so priceless an ornament to many Surrey and Kentish lanes. The road is shaded by tall trees when it begins to descend into the steep rocky gorge of the Cance with its tumbling waterfalls that are a charming feature of this approach to Mortain. High upon the rocks on the left appears an enormous gilded statue of the Virgin, in the grounds of the Abbaye Blanche. Going downwards among the broken sunlight and shadows on the road, Mortain appears, picturesquely perched on a great rocky steep, and in the opening of the valley a blue haze suggests the great expanse of level country towards the south. The big parish church of the town was built originally in 1082 by that Robert of Mortain, who, it will be remembered, was one of the first of the Normans to receive from the victorious William a grant of land in England. The great tower which stands almost detached on the south-west side is remarkable for its enormously tall slit windows, for they run nearly from the ground to the saddle-back roof. The interior of this church is somewhat unusual, the nave and chancel being structurally one, and the aisles are separated by twenty-four circular grey pillars with Corinthian capitals. The plain surfaces of the walls and vaulting are absolutely clean white, picked out with fine black lines to represent stone-work—a scarcely successful treatment of such an interior! On either side of the High Altar stand two great statues representing St Guillaume and St Evroult.

To those who wish to "do" all the sights of Mortain there is the Chapel of St Michael, which stands high up on the margin of a great rocky hill, but the building having been reconstructed about fifty years ago, the chief attraction to the place is the view, which in tolerably clear weather, includes Mont St Michel towards which we are making our way.

A perfectly straight and fairly level stretch of road brings you to St Hilaire-du-Harcout. On the road one passes two or three large country houses with their solemn and perfectly straight avenues leading directly up to them at right angles from the road. The white jalousies seem always closed, the grass on the lawns seems never cut, and the whole establishments have a pathetically deserted appearance to the passer-by. A feature of this part of the country can scarcely be believed without actually using one's eyes. It is the wooden chimney-stack, covered with oak shingles, that surmounts the roofs of most of the cottages. Where the shingles have fallen off, the cement rubble that fills the space between the oak framing appears, but it is scarcely credible that, even with this partial protection, these chimneys should have survived so many centuries. I have asked the inmates of some of the cottages whether they ever feared a fire in their chimneys, but they seemed to consider the question as totally unnecessary, for some providence seems to have watched over their frail structures.

St Hilaire has a brand new church and nothing picturesque in its long, almost monotonous, street. Instead of turning aside at Pontaubault towards Mont St Michel, we will go due north from that hamlet to the beautifully situated Avranches. This prosperous looking town used, at one time, to have a large English colony, but it has recently dwindled to such small dimensions that the English chaplain has an exceedingly small parish. The streets seem to possess a wonderful cleanliness; all the old houses appear to have made way for modern buildings which, in a way, give Avranches the aspect of a watering-place, but its proximity to the sea is more apparent in a map than when one is actually in the town. On one side of the great place in front of the church of Notre Dame des Champs is the Jardin des Plantes. To pass from the blazing sunshine and loose gravel, to the dense green shade of the trees in this delightful retreat is a pleasure that can be best appreciated on a hot afternoon in summer. The shade, however, and the beds of flowers are not the only attractions of these gardens. Their greatest charm is the wonderful view over the shining sands and the glistening waters of the rivers See and Selune that, at low tide, take their serpentine courses over the delicately tinted waste of sand that occupies St Michael's Bay. Out beyond the little wooded promontory that protects the mouth of the See, lies Mont St Michel, a fretted silhouette of flat pearly grey, and a little to the north is Tombelaine, a less pretentious islet in this fairyland sea. Framed by the stems and foliage of the trees, this view is one of the most fascinating in Normandy. One would be content to stay here all through the sultry hours of a summer day, to listen to the distant hum of conversation among white-capped nursemaids, as they sew busily, giving momentary attention to their charges. But Avranches has an historical spot that no student of history, and indeed no one who cares anything for the picturesque events that crowd the pages of the chronicles of England in the days of the Norman kings, may miss. It is the famous stone upon which Henry II. knelt when he received absolution for the murder of Becket at the hands of the papal legate. To reach this stone is, for a stranger, a matter of some difficulty. From the Place by the Jardin des Plantes, it is necessary to plunge down a steep descent towards the railway station, and then one climbs a series of zigzag paths on a high grassy bank that brings one out upon the Place Huet. In one corner, surrounded by chains and supported by low iron posts, is the historic stone. It is generally thickly coated with dust, but the brass plate affixed to a pillar of the doorway is quite legible. These, and a few fragments of carved stone that lie half-smothered in long grass and weeds at a short distance from the railed-in stone, are all that remain of the cathedral that existed in the time of Henry II.

It must have been an impressive scene on that Sunday in May 1172, when the papal legate, in his wonderful robes, stood by the north transept door, of which only this fragment remains, and granted absolution to the sovereign, who, kneeling in all humbleness and submission, was relieved of the curse of excommunication which had been laid on him after the tragic affair in the sanctuary at Canterbury. In place of the splendid cathedral, whose nave collapsed, causing the demolition of the whole building in 1799, there is a new church with the two great western towers only carried up to half the height intended for them.

From the roadway that runs along the side of the old castle walls in terrace fashion there is another wonderful view of rich green country, through which, at one's feet, winds the river See. Away towards the north-west the road to Granville can be seen passing over the hills in a perfectly straight line. But this part of the country may be left for another chapter.