Normandy: The Scenery & Romance of Its Ancient Towns, Part 2

by Gordon Home

Between tall poplars whose stems are splotched with grey lichen and whose feet are grown over with browny-green moss, runs the road from Falaise to Argentan, straight and white, with scarcely more than the slightest bend, for the whole eight miles. It is typical of the roads in this part of the country and beyond the large stone four or five kilometres outside Falaise, marking the boundary between Calvados and Orne, and the railway which one passes soon afterwards, there is nothing to break the undulating monotony of the boundless plain.

We cannot all hope to have this somewhat dull stretch of country relieved by any exciting event, but I can remember one spring afternoon being overtaken by two mounted gendarmes in blue uniforms, galloping for their very lives. I looked down the road into the cloud of dust raised by the horses' hoofs, but the country on all sides lay calm and deserted, and I was left in doubt as to the reason for this astonishing haste. Half an hour afterwards a group of people appeared in the distance, and on approaching closer, they proved to be the two gendarmes leading their blown horses as they walked beside a picturesque group of apparently simple peasants, the three men wearing the typical soft, baggy cap and blue smock of the country folk. The little group had a gloomy aspect, which was explained when I noticed that the peasants were joined together by a bright steel chain. Evidently something was very much amiss with one of the peaceful villages lying near the road.

After a time, at the end of the long white perspective, appear the towers of the great church of St Germain that dominate the town where Henry II. was staying when he made that rash exclamation concerning his "turbulent priest." It was from Argentan that those four knights set out for England and Canterbury to carry out the deed, for which Henry lay in ashes for five weeks in this very place. But there is little at the present time at Argentan to remind one that it is in any way associated with the murder of Becket. The castle that now exists is occupied by the Courts of Justice and was partially built in the Renaissance period. Standing close to it, is an exceedingly tall building with a great gable that suggests an ecclesiastical origin, and on looking a little closer one soon discovers blocked up Gothic windows and others from which the tracery has been hacked. This was the chapel of the castle which has been so completely robbed of its sanctity that it is now cut up into small lodgings, and in one of its diminutive shops, picture post-cards of the town are sold.

The ruins of the old castle are not very conspicuous, for in the seventeenth century the great keep was demolished. There is still a fairly noticeable round tower—the Tour Marguerite—which has a pointed roof above its corbels, or perhaps they should be called machicolations. In the Place Henri IV. stands a prominent building that projects over the pavement supported by massive pointed arches, and with this building in the foreground there is one of the best views of St Germain that one can find in the town. Just before coming to the clock that is suspended over the road by the porch of the church, there is a butcher's shop at the street corner that has a piece of oak carving preserved on account of its interest while the rest of the building has been made featureless with even plaster. The carving shows Adam and Eve standing on either side of a formal Tree of Life, and the butcher, who is pleased to find a stranger who notices this little curiosity, tells him with great pride that his house dates from the fifteenth century. The porch of St Germain is richly ornamented, but it takes a second place to the south porch of the church of Notre Dame at Louviers and may perhaps seem scarcely worthy of comment after St Maclou at Rouen. The structure as a whole was commenced in 1424, and the last portion of the work only dates from the middle of the seventeenth century. The vaulting of the nave has a very new and well-kept appearance and the side altars, in contrast to so many of even the large churches, are almost dignified in their somewhat restrained and classic style. The high altar is a stupendous erection of two storeys with Corinthian pillars. Nine long, white, pendant banners are conspicuous on the walls of the chancel. The great altars and the lesser ones that crowd the side chapels are subject to the accumulation of dirt as everything else in buildings sacred or lay, and at certain times of the day, a woman may be seen vigorously flapping the brass candlesticks and countless altar ornaments with a big feather broom. On the north side of the chancel some of the windows have sections of old painted glass, and in one of them there is part of a ship with men in crow's nests backed by clouds, a really vigorous colour scheme.

Keeping to the high ground, there is to the south of this church an open Place, and beyond it there are some large barracks, where, on the other side of a low wall may be seen the elaborately prepared steeple-chase for training soldiers to be able to surmount every conceivable form of obstacle. Awkward iron railings, wide ditches, walls of different composition and varying height are frequently scaled, and it is practice of this sort that has made the French soldier famous for the facility with which he can storm fortifications. The river Orne finds its way through the lower part of the town and here there are to be found some of the most pleasing bits of antique domestic architecture. One of the quaintest of these built in 1616 is the galleried building illustrated here, and from a parallel street not many yards off there is a peep of a house that has been built right over the stream which is scarcely less picturesque.

The church of St Martin is passed on entering Argentan from Falaise. Its east end crowds right up against the pavement and it is somewhat unusual to find the entrances at this portion of the building. The stained glass in the choir of St Martin is its most noticeable feature—the pictures showing various scenes in the life of Christ.

As in all French towns Argentan knows how to decorate on fete days. Coming out of the darkness of the church in the late twilight on one of these occasions, I discovered that the town had suddenly become festooned with a long perspective of arches stretching right away down the leafy avenue that goes out of the town—to the north in one direction, and to St Germain in the other. The arches were entirely composed without a single exception of large crimson-red Chinese lanterns. The effect was astonishingly good, but despite all the decoration, the townsfolk seemed determined to preserve the quiet of the Sabbath, and although there were crowds everywhere, the only noise that broke the stillness was that of the steam round-about that had been erected on a triangular patch of grass. The dark crowds of people illuminated by flaring lights stood in perfect quiet as they watched the great noisy mass of moving animals and boats, occupied almost entirely by children, keep up its perpetual dazzle and roar. The fair—for there were many side-shows—was certainly quieter than any I have witnessed in England.

A long, straight road, poplar-bordered and level, runs southwards from Argentan to Mortree, a village of no importance except for the fact that one must pass through it if one wishes to visit the beautiful Chateau d'O. This sixteenth century mansion like so many to be seen in this part of France, is in a somewhat pathetic state of disrepair, but as far as one may see from the exterior, it would not require any very great sum to completely restore the broken stone-work and other signs of decay. These, while perhaps adding to the picturesqueness of the buildings, do not bring out that aspect of carefully preserved antiquity which is the charm of most of the houses of this period in England. The great expanse of water in the moat is very green and covered by large tracts of weed, but the water is supplied by a spring, and fish thrive in it. The approach to the chateau across the moat leads to an arched entrance through which you enter the large courtyard overlooked on three sides by the richly ornamented buildings, the fourth side being only protected from the moat by a low wall. It would be hard to find a more charming spot than this with its views across the moat to the gardens beyond, backed by great masses of foliage.