[THE DISUSED CHURCH OF ST NICHOLAS AT CAEN]

[A COURTYARD IN THE RUE DE BAYEUX AT CAEN]

CHAPTER VII

Concerning Mont St Michel

So, when their feet were planted on the plain
That broaden'd toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
At times the summit of the high city flash'd;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that open'd on the field below:
Anon, the whole fair city disappeared.

Tennyson's Gareth and Lynette

So, when their feet were planted on the plain
That broaden'd toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
At times the summit of the high city flash'd;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that open'd on the field below:
Anon, the whole fair city disappeared.

Tennyson's Gareth and Lynette

"The majestic splendour of this gulf, its strategetic importance, have at all times attracted the attention of warriors." In this quaint fashion commences the third chapter of a book upon Mont St Michel which is to be purchased in the little town. We have already had a glimpse of the splendour of the gulf from Avranches, but there are other aspects of the rock which are equally impressive. They are missed by all those who, instead of going by the picturesque and winding coast-road from Pontaubault, take the straight and dusty route nationale to Pontorson, and then turn to follow the tramway that has in recent years been extended along the causeway to the mount itself. If one can manage to make it a rather late ride along the coast-road just mentioned, many beautiful distant views of Mont St Michel, backed by sunset lights, will be an ample reward. Even on a grey and almost featureless evening, when the sea is leaden-hued, there may, perhaps, appear one of those thin crimson lines that are the last efforts of the setting sun. This often appears just behind the grey and dim rock, and the crimson is reflected in a delicate tinge upon the glistening sands. Tiny rustic villages, with churches humble and unobtrusive, and prominent calvaries, are passed one after the other. At times the farmyards seem to have taken the road into their own hands, for a stone well-head will appear almost in the roadway, and chickens, pigs, and a litter of straw have to be allowed for by those who ride or drive along this rural way. When the rock is still some distance off, the road seems to determine to take a short cut across the sands, but thinking better of it, it runs along the outer margin of the reclaimed land, and there is nothing to prevent the sea from flooding over the road at its own discretion. Once on the broad and solidly constructed causeway, the rock rapidly gathers in bulk and detail. It has, indeed, as one approaches, an almost fantastic and fairy-like outline. Then as more and more grows from the hazy mass, one sees that this remarkable place has a crowded and much embattled loneliness. Two round towers, sturdy and boldly machicolated, appear straight ahead, but oddly enough the wall between them has no opening of any sort, and the stranger is perplexed at the inhospitable curtain-wall that seems to refuse him admittance to the mediaeval delights within. It almost heightens the impression that the place belongs altogether to dreamland, for in that shadowy world all that is most desirable is so often beyond the reach of the dreamer. It is a very different impression that one gains if the steam train has been taken, for its arrival is awaited by a small crowd of vulture-like servants and porters from the hotels. The little crowd treats the incoming train-load of tourists as its carrion, and one has no time to notice whether there is a gateway or not before being swept along the sloping wooden staging that leads to the only entrance. The simple archway in the outer wall leads into the Cour de l'Avancee where those two great iron cannons, mentioned in an earlier chapter, are conspicuous objects. They were captured by the heroic garrison when the English, in 1433, made their last great effort to obtain possession of the rock. Beyond these, one passes through the barbican to the Cour de la Herse, which is largely occupied by the Hotel Poulard Aine. Then one passes through the Porte du Roi, and enters the town proper. The narrow little street is flanked by many an old house that has seen most of the vicissitudes that the little island city has suffered. In fact many of these shops which are now almost entirely given over to the sale of mementoes and books of photographs of the island, are individually of great interest. One of the most ancient in the upper part of the street, is pointed out as that occupied in the fourteenth century by Tiphane de Raguenel, the wife of the heroic Bertrand du Guesclin.

It is almost impossible for those who are sensitive in such matters, not to feel some annoyance at the pleasant but persistent efforts of the vendors of souvenirs to induce every single visitor to purchase at each separate shop. To get an opportunity for closely examining the carved oaken beams and architectural details of the houses, one must make at least some small purchase at each trinket store in front of which one is inclined to pause. Perhaps it would even be wise before attempting to look at anything architectural in this quaintest of old-world streets, to go from one end to the other, buying something of trifling cost, say a picture postcard, from each saleswoman. In this way, one might purchase immunity from the over-solicitous shop-keepers, and have the privilege of being able to realise the mediaeval character of the place without constant interruptions.

Nearly every visitor to Mont St Michel considers that this historic gem, in its wonderful setting of opalescent sand, can be "done" in a few hours. They think that if they climb up the steps to the museum—a new building made more conspicuous than it need be by a board bearing the word Musee in enormous letters—if they walk along the ramparts, stare for a moment at the gateways, and then go round the abbey buildings with one of the small crowds that the guide pilots through the maze of extraordinary vaulted passages and chambers, that they have done ample justice to this world-famous sight. If the rock had only one-half of its historic and fantastically arranged buildings, it would still deserve considerably more than this fleeting attention paid to it by such a large proportion of the tourists. So many of these poor folk come to Mont St Michel quite willing to learn the reasons for its past greatness, but they do not bring with them the smallest grains of knowledge. The guides, whose knowledge of English is limited to such words as "Sirteenth Senchury" (thirteenth century), give them no clues to the reasons for the existence of any buildings on the island, and quite a large proportion of visitors go away without any more knowledge than they could have obtained from the examination of a good book of photographs.